Reissuing works originally published between 1914 and 1996, Routledge Library Editions: Cinema (39 volume set) offers a selection of scholarship covering the movies. Volumes range from film propaganda to the epic film genre, women in cinema to Soviet cinema, teen film to horror series; and touch on acting, screenwriting and film production among other areas making this a comprehensive collection of previously out-of-print works.
Table of Contents
Film and Reform: John Grierson and the Documentary Film Movement Ian Aitken; Hollywood in the Age of Television Edited by Tino Balio; Off Screen: Women and Film in Italy Edited by Giuliana Bruno and Maria Nadotti; At a Theater or Drive-in Near You: The History, Culture, and Politics of the American Exploitation Film Randall Clark; Film Propaganda and American Politics: An Analysis and Filmography James E. Combs and Sara T. Combs; American Political Movies: An Annotated Filmography of Feature Films James E. Combs; Movies and Politics: The Dynamic Relationship Edited by James Combs; The Films of Werner Herzog: Between Mirage and History Edited by Timothy Corrigan; Motion Picture Series and Sequels: A Reference Guide Bernard A. Drew; American Film Exhibition and an Analysis of the Motion Picture Industry's Market Structure 1963-1980 Gary R. Edgerton; The Epic Film: Myth and History Derek Elley; Our Lady Cinema: How and Why I went into the Photo-play World and What I Found There Harry Furniss; Materialist Film Peter Gidal; A Critical Guide to Horror Film Series Ken Hanke; The Road to Romance and Ruin: Teen Films and Youth Culture Jon Lewis; Chicano Images: Refiguring Ethnicity in Mainstream Film Christine List; The Cinema Ideal: An Introduction to Psychoanalytic Studies of the Film Spectator Harriet E. Margolis; Masters of Soviet Cinema: Crippled Creative Biographies Herbert Marshall; Cinema, Literature and Society: Elite and Mass Culture in Interwar Britain Peter Miles and Malcolm Smith; Where We Came In: Seventy Years of the British Film Industry C.A. Oakley; Mass-Observation at the Movies Edited by Jeffrey Richards and Dorothy Sheridan; Swordsmen of the Screen: From Douglas Fairbanks to Michael York Jeffrey Richards; Visions of Yesterday Jeffrey Richards; The British Board of Film Censors: Film Censorship in Britain, 1896-1950 James C. Robertson; Cinema and Ireland Kevin Rockett, Luke Gibbons and John Hill; The Difficulty of Difference: Psychoanalysis, Sexual Difference, and Film Theory D. N. Rodowick; Film Semiotics, Metz, and Leone's Trilogy Lane Roth; Hollywood Goes to War: Films and American Society 1939-52 Colin Shindler; Feature Films as History Edited by K.R.M. Short; The Decline of the Cinema: An Economist’s Report John Spraos; Film and the Working Class: The Feature Film in British and American Society Peter Stead; Eisenstein: A Documentary Portrait Norman Swallow; The Hollywood Feature Film in Postwar Britain Paul Swann; Cinema Eye, Cinema Ear: Some Key Film-makers of the Sixties John Russell Taylor; Directors and Directions: Cinema for the Seventies John Russell Taylor; The Cinema of Apartheid: Race and Class in South African Film Keyan Tomaselli; Early Cinema in Russia and its Cultural Reception Yuri Tsivian, Translated by Alan Bodger; Image and Influence: Studies in the Sociology of Film Andrew Tudor; Flashbacks in Film: Memory & History Maureen Turim