SamulNori: Korean Percussion for a Contemporary World (Hardback) book cover

SamulNori: Korean Percussion for a Contemporary World

By Keith Howard

© 2015 – Routledge

230 pages

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Hardback: 9781472462893
pub: 2015-10-28
$104.95
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eBook (VitalSource) : 9781315607580
pub: 2016-03-09
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Description

SamulNori is a percussion quartet which has given rise to a genre, of the same name, that is arguably Korea’s most successful ’traditional’ music of recent times. Today, there are dozens of amateur and professional samulnori groups. There is a canon of samulnori pieces, closely associated with the first founding quartet but played by all, and many creative evolutions on the basic themes, made by the rapidly growing number of virtuosic percussionists. And the genre is the focus of an abundance of workshops, festivals and contests. Samulnori is taught in primary and middle schools; it is part of Korea’s national education curriculum. It has dedicated institutes, and there are a number of workbooks devoted to helping wannabe ’samulnorians’. It is a familiar part of Korean performance culture, at home and abroad, in concerts but also in films and theatre productions. SamulNori uses four instruments: kkwaenggwari and ching small and large gongs, and changgo and puk drums. These are the instruments of local percussion bands and itinerant troupes that trace back many centuries, but samulnori is a recent development of these older traditions: it was first performed in February 1978. This volume explores this vibrant percussion genre, charting its origins and development, the formation of the canon of pieces, teaching and learning strategies, new evolutions and current questions relating to maintaining, developing, and sustaining samulnori in the future.

About the Author

Keith Howard is Professor of Music at SOAS, University of London. Formerly Associate Dean at the University of Sydney, he has held visiting professorships at Monash University, Ewha Women’s University and Hanguk University of Foreign Studies. He has written and edited 19 books, including Music as Intangible Cultural Heritage: Policy, Ideology and Practice in the Preservation of East Asian Traditions (2012), Singing the Kyrgyz Manas (with Saparbek Kasmambetov, 2011), Korean Kayagum Sanjo: A Traditional Instrumental Genre (with Chaesuk Lee and Nicholas Casswell; 2008), Creating Korean Music (2006), Preserving Korean Music (2006), and Korean Pop Music: Riding the Wave (2006).

About the Series

SOAS Musicology Series

SOAS Musicology Series is today one of the world’s leading series in the discipline of ethnomusicology. Our core mission is to produce high-quality, ethnographically rich studies of music-making in the world’s diverse musical cultures. We publish monographs and edited volumes that explore musical repertories and performance practice, critical issues in ethnomusicology, sound studies, historical and analytical approaches to music across the globe. We recognize the value of applied, interdisciplinary and collaborative research, and our authors draw on current approaches in musicology and anthropology, psychology, media and gender studies. We welcome monographs that investigate global contemporary, classical and popular musics, the effects of digital mediation and transnational flows.

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Subject Categories

BISAC Subject Codes/Headings:
MUS005000
MUSIC / Genres & Styles / Chamber
MUS015000
MUSIC / Ethnomusicology