Santería Enthroned : Art, Ritual, and Innovation in an Afro-Cuban Religion book cover
SAVE
$30.00
1st Edition

Santería Enthroned
Art, Ritual, and Innovation in an Afro-Cuban Religion



  • Available for pre-order. Item will ship after September 30, 2020
ISBN 9780367321758
September 30, 2020 Forthcoming by Routledge
448 Pages

 
SAVE ~ $30.00
was $150.00
USD $120.00

Prices & shipping based on shipping country


Preview

Book Description

Ever since its emergence in colonial-era Cuba, Afro-Cuban Santería (or Lucumí) has displayed a complex dynamic of continuity and change in its institutions, rituals, and iconography. Originally published in 2003 Santería Enthroned combines art, history, cultural anthropology, and ethnohistory to show how Africans and their descendants have developed novel forms of religious practice in the face of relentless oppression. Focusing on the royal throne as a potent metaphor in Santería belief and practice it shows how negotiations among ideologically competing interests have shaped the religion’s symbols, rituals, and institutions from the nineteenth century to the present. Rich case studies of change in Cuba and the United States, including a New Jersey temple and South Carolina’s Oyotunji Village, reveal patterns of innovation similar to those found among rival Yoruba kingdoms in Nigeria. Throughout, the book argues for a theoretical perspective on culture as a field of potential strategies and "usuable pasts" that actors draw upon to craft new forms and identities – a perspective that will be invaluable to all students of the African Diaspora.

Table of Contents

List of Illustrations

Preface

Acknowledgements

Introduction

Part I: Institutional and Ritual Innovation

1. Black Royalty: New Social Frameworks and Remodeled Iconographies in Nineteenth-Century Havana

2. From Cabildo de Nacíon to Casa-Templo: The New Lucumí, Institutional Reform, and the Shifting Location of Cultural Authenticity

3. Myths of the Yoruba Past and Innovations of the Lucumí Present: The Narrative Production of Cosmology, Authority, and Ritual Variation

Part II: Iconographic Innovation

4. Royal Iconography and the Modern Lucumí Initiation

5. "The Palace of the Obá Lucumí" and the "Creole Taste": Innovations in Iconography and Meaning

Conclusion

Appendix 1: Fredrika Bremer’s Description of a Sunday Afternoon Drumming in a Havana Lucumí Calbido, 1853

Appendix 2: Irene Wright’s Description of Her Visit to "African Cabildo" in El Cerro, 1910

Appendix 3: The "Regular" Ifá-Centric Initiation versus the Ocha-Centric Initiation

Appendix 4: The Oriate’s Counternarrative to Ifa-Centric Ocha Practive

Appendix 5: Calendar of Oricha and Saint Feasts Days

Appendix 6: Oral Data from Fieldwork: Interviews, Personal Communications and Correspondence

Notes

Glossary

Works Cited

Index

...
View More