Science Museums in Transition: Unheard Voices considers how museums can adapt their exhibits, programs, and organizational structures to the diversity of ideas, people, and cultures that speak to modern science.
This collection contains individual expressions by museum insiders addressing a range of particular perspectives – Native American, African American, Latinx, Islamic, Israeli, Danish, white North American. These reflections provide guidance to the museum community as to how their institutions can become more thoughtful, more welcoming to diverse audiences, and more cognizant of the ways that different people incorporate science into their daily lives. As a whole, the book emphasizes the need for museums to engage in dialogue with their visitors – not merely to present them with information – and to offer the opportunities to share experiences, exchange perspectives, and thereby advance science learning through a dynamic and collective process.
Science Museums in Transition is intended to further discussion on how museums address the political and social ramifications of science and, as such, should be of great interest to academics, researchers and postgraduate students working in the fields of museum studies, science, anthropology, education and history. It should also be essential reading for museum professionals around the globe.
by Judy Diamond
by Monique Scott
by Rana Dajani
by Jen Shannon
by Elijah Benson, Royce Young Wolf, and Mary Baker "Price" with Jen Shannon
by Marianne Achiam
bySherman Rosenfeld and Ron Blonder
by Laura Huerta Migus
by Laura Huerta Migus
by Hooley McLaughlin
Committed to the articulation of big, even risky, ideas in small format publications, Museums In Focus challenges authors and readers to experiment with, innovate, and press museums and the intellectual frameworks through which we view these. It offers a platform for approaches that radically rethink the relationships between cultural and intellectual dissent and crisis and debates about museums, politics and the broader public sphere.
Museums In Focus is motivated by the intellectual hypothesis that museums are not innately ‘useful’, safe’ or even ‘public’ places, and that recalibrating our thinking about them might benefit from adopting a more radical and oppositional form of logic and approach. Examining this problem requires a level of comfort with (or at least tolerance of) the idea of crisis, dissent, protest and radical thinking, and authors might benefit from considering how cultural and intellectual crisis, regeneration and anxiety have been dealt with in other disciplines and contexts.
Books published in the series are between 30,000 and 50,000 words in length and fully refereed. If you would like to discuss submitting a proposal, please contact the series editor: Kylie.Message@anu.edu.au.
Further information about Professor Message's work can be found here: https://www.routledge.com/authors/i14753-kylie-message.