1st Edition
Searching for Yellowstone Race, Gender, Family and Memory in the Postmodern West
Yellowstone. Sacagawea. Lewis & Clark. Transcontinental railroad. Indians as college mascots. All are iconic figures, symbols of the West in the Anglo-American imagination. Well-known cultural critic Norman Denzin interrogates each of these icons for their cultural meaning in this finely woven work. Part autoethnography, part historical narrative, part art criticism, part cultural theory, Denzin creates a postmodern bricolage of images, staged dramas, quotations, reminiscences and stories that strike to the essence of the American dream and the shattered dreams of the peoples it subjugated.
Biography
Norman K. Denzin is Distinguished Professor of Communications, College of Communications Scholar, and Research Professor of Communications, Sociology, and Humanities at the University of Illinois, Urbana-Champaign. One of the world’s foremost authorities on qualitative research and cultural criticism, Denzin is the author or editor of more than two dozen books, including Reading Race; Performance Ethnography; The Cinematic Society; The Voyeur’s Gaze; Flags at the Window: Dispatches from the American War Zone; Images of Postmodern Society; The Recovering Alcoholic; and The Alcoholic Self. He is past editor of The Sociological Quarterly, coeditor (with Yvonna S. Lincoln) of three editions of the landmark Handbook of Qualitative Research, coeditor (with Michael D. Giardina) of three plenary volumes from the fi rst three International Congresses of Qualitative Inquiry, coeditor (with Lincoln) of the methods journal Qualitative Inquiry, founding editor of Cultural Studies/Critical Methodologies and International Review of Qualitative Research, series editor of Studies in Symbolic Interaction, and Cultural Critique series editor for Peter Lang Publishing.
