1st Edition
Television and Culture in Putin's Russia Remote control
Introduction. Chapter 1. ‘(Dis)informing Russia: Media Space and Discourse Conflict in Post-Soviet Russian Television News’. Chapter 2. ‘St Petersburg 300: Television and the Invention of a Post-Soviet Russian (Media) Tradition’. Chapter 3. ‘Russia's 9/11: Performativity and Discursive Instability in Television Coverage of the Beslan Atrocity’. Chapter 4. ‘Promiscuous Words: The Post-Soviet Tok-shou as Cultural Mediator and Hegemonic Pressure Point’. Chapter 5. ‘Unfulfilled Orders: Failed Hegemony in Russia’s (Pseudo) Military Drama Serials’. Chapter 6. ‘Laughter at the Threshold: My Fair Nanny, Television Sitcoms and the Post-Soviet Struggle Over Taste’. Chapter 7. ‘(Mis)appropriating the Western Game Show: Pole Chudes [The Field of Miracles] and the Double-edged Myth of the Narod’. Chapter 8. ‘Russian Regional Television: At the Crossroads of the Global, the National and the Local’. Chapter 9. ‘Television through the Lens of the Post-Soviet Viewer’. Conclusion. Bibliography.
Biography
Stephen Hutchings is Chair in Russian Studies in the Department of Russian Studies, University of Manchester, UK. He is the author of Russian Literary Culture in the Camera Age: The World as Image (2004), and co-editor of Soviet and Post-Soviet Screen Adaptations of Literature: Screening the World (co-edited with Anat Vernistki, 2004), both published by Routledge.
Natalia Rulyova is Lecturer in Russian at the Centre for Russian and East European Studies, University of Birmingham, UK.
'The most unconventional aspect of the book is that it addresses television not through the filter of the political, as is the case with analogous works, but from the standpoint of cultural studies and theories of cultural meaning. Hutchings and Rulyova also provide meticulous statistics on television programming in provincial cities as well as Moscow and St. Petersburg. Recommended.' - CHOICE, November 2009
