The Appeal of Art in Modernity: 1st Edition (Hardback) book cover

The Appeal of Art in Modernity

1st Edition

By Michael Symonds

Routledge

224 pages

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Hardback: 9780815377689
pub: 2019-12-20
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Description

This book explores the place of art in the modern world, but instead of asking what art is, it begins with the question of art’s appeal in modernity. Why is the appellation ‘art’ so desired for movies, food and fashion, for example? Why is there the assumption of esteem when someone calls themselves an ‘artist’? On the other hand, why is modern art so often seen as, at best, difficult and, at worst, not, in fact, art? Engaging with a broad range of theory, the author draws on the thought of Max Weber to offer an account of art’s widespread appeal in terms of its constituting a self-contained value-sphere of meaning, which provides a feeling of tremendous salvation from the senseless routines of modern life. In this way, major theories on aesthetics in philosophy and sociology – including those of Kant, Hegel, Adorno and Bourdieu– are critically recast and incorporated into an overall explanation, and fundamental questions concerning the relation of art to politics and ethics are given innovative answers. A fresh examination of the development of the aesthetic sphere that shows how art came to be regarded as one of the last bastions of freedom and the highest human achievement, and, also, how it became increasingly isolated from the rest of society, The Appeal of Art in Modernity will appeal to scholars of philosophy, social theory and sociology with interests in art, modernity and Weber.

Table of Contents

1. Weber: the Value-Sphere of Art

2. Kant: the Inner Workings of the Sphere of Art

3. Hegel: Art and the End of History

4. Adorno1: Truth, Beauty and Utopia

5. Adorno 11: Purpose, Disenchantment and Suffering

6. Bourdieu: Distinction and the Game of Art

7. Conclusion

Bibliography

About the Author

Michael Symonds is Adjunct Senior Lecturer in Philosophy and Sociology in the School of Humanities and Communication Arts, Western Sydney University, Australia. He is the author of Max Weber’s Theory of Modernity and the co-author of Home, Displacement, Belonging.

About the Series

Classical and Contemporary Social Theory

Classical and Contemporary Social Theory
Classical and Contemporary Social Theory publishes rigorous scholarly work that re-discovers the relevance of social theory for contemporary times, demonstrating the enduring importance of theory for modern social issues. The series covers social theory in a broad sense, inviting contributions on both 'classical' and modern theory, thus encompassing sociology, without being confined to a single discipline. As such, work from across the social sciences is welcome, provided that volumes address the social context of particular issues, subjects, or figures and offer new understandings of social reality and the contribution of a theorist or school to our understanding of it. The series considers significant new appraisals of established thinkers or schools, comparative works or contributions that discuss a particular social issue or phenomenon in relation to the work of specific theorists or theoretical approaches. Contributions are welcome that assess broad strands of thought within certain schools or across the work of a number of thinkers, but always with an eye toward contributing to contemporary understandings of social issues and contexts.

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Subject Categories

BISAC Subject Codes/Headings:
SOC000000
SOCIAL SCIENCE / General
SOC026000
SOCIAL SCIENCE / Sociology / General