1st Edition

The Art of Joaquín Torres-García Constructive Universalism and the Inversion of Abstraction

By Aarnoud Rommens Copyright 2017
200 Pages 44 B/W Illustrations
by Routledge

200 Pages 44 B/W Illustrations
by Routledge

200 Pages 44 B/W Illustrations
by Routledge

Intertwining art history, aesthetic theory, and Latin American studies, Aarnoud Rommens challenges contemporary Eurocentric revisions of the history of abstraction through this study of the Uruguayan artist Joaquín Torres-García. After studying and painting (for decades) in Europe, Torres-García returned in 1934 to his native home, Montevideo, with the dream of reawakening and revitalizing what... Read more

1. Introduction: The Routes to Roots of Joaquín Torres-García’s South American Abstraction



2. Constructive Universalism’s ‘Theoretical Eye’: Vitalism, Arkhétectonics and Grafismo



3. Tactics of A-Semiosis



4. Writing/Drawing the Universal by Hand: Abstraction’s Unruliness



5. Emblematics, "The School of the South" and the Inversion of Maps



6. Thick Grids and the Scrapbooking of the Universal



Conclusion: Reverting South

Biography

Aarnoud Rommens is BeIPD-COFUND/Marie Curie Post-Doctoral Fellow at Faculté de Philosophie et Lettres, University of Liège, Belgium.