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The Centrality of Crime Fiction in American Literary Culture





ISBN 9781138680470
Published June 15, 2017 by Routledge
314 Pages

 
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Book Description

This collection of essays by leading scholars insists on a larger recognition of the importance and diversity of crime fiction in U.S. literary traditions. Instead of presenting the genre as the property of Dashiell Hammett and Raymond Chandler, this book maps a larger territory which includes the domains of Mark Twain, F. Scott Fitzgerald, William Faulkner, Richard Wright, Flannery O’Connor, Cormac McCarthy and other masters of fiction.The essays in this collection pay detailed attention to both the genuine artistry and the cultural significance of crime fiction in the United States. It emphasizes American crime fiction’s inquiry into the nature of democratic society and its exploration of injustices based on race, class, and/or gender that are specifically located in the details of American experience.Each of these essays exists on its own terms as a significant contribution to scholarship, but when brought together, the collection becomes larger than the sum of its pieces in detailing the centrality of crime fiction to American literature. This is a crucial book for all students of American fiction as well as for those interested in the literary treatment of crime and detection, and also has broad appeal for classes in American popular culture and American modernism.

Table of Contents



CONTENTS



Acknowledgements



List of Figures



Introduction: Re-searching the Premises: The Centrality of Crime Fiction in American Literary Culture, Alfred Bendixen



Foundations:



1 Crime and Detection in Mark Twain



Peter Messent



2 Lizzie Borden, Spinster on Trial: Journalism, Literature, and the Borden Trial



Karen Roggenkamp



3 Dreiser, Dey, and Dime-Novel Crime: The Case of Nick Carter



Nathaniel Williams



Modernist Crime:



4 The Gatsby Murder Case: F. Scott Fitzgerald, S. S. Van Dine, and Analytic Detective Fiction in the 1920s



Kirk Curnutt



5 Preservation and Promotion: Ellery Queen, Magazine Publishing, and the Marketing of Detective Fiction



Matthew Levay



6 Diversions of Furniture and Signature Styles: Hammett, Chandler, Macdonald



Lee Clark Mitchell



7 Faulkner and the Criminality of Modernity



Deborah Clarke



8 Fatal Eyeballing: Sex, Violence and Intimate Voyeurism in Richard Wright’s Native Son Andrew Warnes



Crime After Modernism:



9 Murderous Neglect in Flannery O’Connor’s Fiction



Marshall Bruce Gentry



10 Remorse and Redemption: The Crime Fiction of Andre Dubus



Olivia Carr Edenfield



11 On Manliness and a Personal Sense of Fitness for Citizenship: Chester Himes and Telling Details in Clothing



Norlisha F. Crawford



12 Copy That: Joseph Nazel and African American Crime Narrative in the 1970s



Kinohi Nishikawa



13 "Swarming Like an Army": Odyssean Warcraft in Elmore Leonard’s Early Crime Novels" Charles J. Rzepka



14 Cormac McCarthy’s Mosaic of Crime and Evil



Allen Josephs



Notes on Contributors

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Editor(s)

Biography

Alfred Bendixen is Lecturer in the Departments of English, Gender and Sexuality Studies, American Studies, and First Year Program at Princeton University, USA.



Olivia Carr Edenfield is Professor in the Department of Literature and Philosophy at Georgia Southern University, USA.

Reviews

"The collection would appeal to those specialising in American popular culture or American modernism. It would be of particular interest for those working on Mark Twain, F. Scott Fitzgerald, William Faulkner, and the postmodern author Cormac McCarthy or those working on the masters of the crime fiction genre such as Hammett, Chandler, Macdonald, and Elmore Leonard. The collection as a whole expresses the importance of crime within American literature and the imaginary line dividing genre and literary fiction."

- Anna Kirsch, The International Crime Fiction Association