China has been one of the first countries to develop its own aesthetic for dynamic images and to create animation films with distinctive characteristics. In recent years, however, and subject to the influence of Western and Japanese animation, the Chinese animation industry has experienced several new stages of development, prompting the question as to where animation in China is heading in the future.
This book describes the history, present and future of China’s animation industry. The author divides the business’s 95-year history into six periods and analyses each of these from an historical, aesthetic, and artistic perspective. In addition, the book focuses on representative works; themes; directions; artistic styles; techniques; industrial development; government support policies; business models; the nurturing of education and talent; broadcasting systems and animation.
Scholars and students who are interested in the history of Chinese animation will benefit from this book and it will appeal additionally to readers interested in Chinese film studies.
I: The Embryo and Birth of Chinese Animation (1920's–1930’s). 1. Overview 2. The Embryo and Birth of Chinese Animation Consciousness 3. Modern Chinese Animation. II: 1931- 1948 - Early Chinese Animation. 1. Overview 2. Chinese Animations during the War of Resistance against Japanese Aggression 3. Art Film Team of the Northeast Film Studio. Ⅲ: The Development of Chinese Animation between the Year of 1949 and 1977. 1. Overview 2. Founding of Shanghai Animation Film Studio 3. Enlightened Educations in Animation 4. Blockbuster Works 5. Ink-wash Animation in China 6. Havoc in Heaven, the First Cartoon Feature Film 7. Summary of the Characteristics of Animation Creation in the Period 8. Representative Works from 1950s to 1970s in Hong Kong, China 9. The Creation Background and Representative Works in Taiwan, China in the 1950s, 1960s, and 1970s.
The China Perspectives series focuses on translating and publishing works by leading Chinese scholars, writing about both global topics and China-related themes. It covers Humanities & Social Sciences, Education, Media and Psychology, as well as many interdisciplinary themes.
This is the first time that any of these books have been translated into English for international readers. The series aims to put forward a Chinese perspective, give insights into cutting-edge academic thinking in China, and inspire researchers globally.