The Realism of Piero della Francesca: 1st Edition (Hardback) book cover

The Realism of Piero della Francesca

1st Edition

By Joost Keizer


154 pages

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Hardback: 9781472461315
pub: 2017-09-20
eBook (VitalSource) : 9781315553641
pub: 2017-09-11
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The fifteenth-century Italian artist Piero della Francesca painted a familiar world. Roads wind through hilly landscapes, run past farms, sheds, barns, and villages. This is the world in which Piero lived. At the same time, Piero’s paintings depict a world that is distant. The subjects of his pictures are often Christian and that means that their setting is the Holy Land, a place Piero had never visited.

The Realism of Piero della Francesca studies this paradoxical aspect of Piero’s art. It tells the story of an artist who could think of the local churches, palaces, and landscapes in and around his hometown of Sansepolcro as miraculously built replicas of the monuments of Jerusalem. Piero’s application of perspective, to which he devoted a long treatise, was meant to convince his contemporaries that his paintings report on things that Piero actually observed. Piero’s methodical way of painting seems to have offered no room for his own fantasy. His art looks deliberately styleless.

This book uncovers a world in which painting needed to validate itself by cultivating the illusion that it reported on things observed instead of things imagined by the artist. Piero’s painting claimed truth in a world of increasing uncertainties.

Table of Contents


List of Illustrations


Introduction: Life and Work

1 Before the Work

2 The Time of the Work

3 The Site In the Work

4 After the Work




About the Author

Joost Keizer is Assistant Professor and Director of Curatorial Studies at the University of Groningen. He has written a monograph, Michelangelo and the Politics of Art, co-edited a book on vernacular art and literature, and has published essays on Leonardo, Michelangelo, Dürer, Renaissance concepts of style, and Renaissance portraiture.

About the Series

Visual Culture in Early Modernity

A forum for the critical inquiry of the visual arts in the early modern world, Visual Culture in Early Modernity promotes new models of inquiry and new narratives of early modern art and its history. We welcome proposals for both monographs and essay collections that consider the cultural production and reception of images and objects. The range of topics covered in this series includes, but is not limited to, painting, sculpture and architecture as well as material objects, such as domestic furnishings, religious and/or ritual accessories, costume, scientific/medical apparata, erotica, ephemera and printed matter. We seek innovative investigations of western and non-western visual culture produced between 1400 and 1800.


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Subject Categories

BISAC Subject Codes/Headings:
ART / General
ART / History / General
ART / History / Renaissance
ART / Individual Artists / General
ART / Individual Artists / Monographs
ART / Subjects & Themes / Religious
HISTORY / General
HISTORY / Europe / General
HISTORY / Europe / Italy
HISTORY / Renaissance