The Soundtrack Album: Listening to Media, 1st Edition (Hardback) book cover

The Soundtrack Album

Listening to Media, 1st Edition

Edited by Paul Reinsch, Laurel Westrup


264 pages | 20 B/W Illus.

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Paperback: 9781138325319
pub: 2020-02-28
Available for pre-order. Item will ship after 28th February 2020
Hardback: 9781138325296
pub: 2020-02-28
Available for pre-order. Item will ship after 28th February 2020

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The Soundtrack Album: Listening to Media offers the first sustained exploration of the soundtrack album as a distinctive form of media.

Soundtrack albums have been part of our media and musical landscape for decades, enduring across formats from vinyl and 8-tracks to streaming playlists. This book makes the case that soundtrack albums are more than promotional tools for films, television shows, or video games— they are complex media texts that reward a detailed analysis. The collection’s contributors explore a diverse range of soundtrack albums, from Super Fly to Stranger Things, revealing how these albums change our understanding of the music and film industries and the audio-visual relationships that drive them.

An excellent resource for students of Music, Media Studies, and Film/Screen Media courses, The Soundtrack Album offers interdisciplinary perspectives and opens new areas for exploration in music and media studies.

Table of Contents

Introduction: Listening to Media

Paul N. Reinsch and Laurel Westrup

Part 1: Case Studies

1. The Soundtrack in Transition: The Many Objects of Paul Simon’s One-Trick Pony

Landon Palmer

2. It’s a Kind of Soundtrack: Queen, Highlander, and the "Unofficial Soundtrack Album"

Ross Melnick

3. Fly and the Sound of Seventies Blaxploitation Cinema

Matthew Tchepikova-Treon

4. Signifyin(g) on the Soundtrack Album? OutKast’s Idlewild Project

Laurel Westrup

Part 2: Brands

5. Learning from Sesame Street Soundtrack Albums

Kathryn A. Ostrofsky

6. Creazioni Artistiche Musicali and Italian Cinema after World War II

Roberto Calabretto

7. King of the Whole Wide World: Elvis, RCA Camden, and the Non-Filmic "Budget"

Soundtrack Album

Justin Morris

8. Sing Along with Hitch: Musically Marketing the Master of Suspense

Richard R. Ness

Part 3: Formats

9. Fixing the Brand: The Sonic Branding of Adult Swim

David Gurney

10. Video Game Soundtrack Albums and the Digital Revolution

Robert Cavanagh

11. Tracking Hypernostalgia: Soundtrack Albums and the Return of the Cassette in American

Film and Television

Kristen Galvin

Part 4: New Directions

12. Now—For Even Greater Enjoyment…The Home Movie Soundtrack Album

Liz Czach

13. A Brief Hearing for the Unified Soundtrack Album

Paul N. Reinsch

About the Editors

Paul N. Reinsch is Associate Professor of Practice–Cinema in the School of Theatre & Dance at Texas Tech University.

Laurel Westrup is a Continuing Lecturer with Writing Programs and the Honors Program at the University of California, Los Angeles.

About the Series

Routledge Music and Screen Media Series

Routledge Music and Screen Media Series

The Routledge Music and Screen Media Series offers edited collections of original essays on music in particular genres of film, television, video games and new media. These edited essay collections are written for an interdisciplinary audience of students and scholars of music and film and media studies.

Learn more…

Subject Categories

BISAC Subject Codes/Headings:
MUSIC / General
MUSIC / History & Criticism
PERFORMING ARTS / Film & Video / History & Criticism