Title Sequences as Paratexts: Narrative Anticipation and Recapitulation, 1st Edition (e-Book) book cover

Title Sequences as Paratexts

Narrative Anticipation and Recapitulation, 1st Edition

By Michael Betancourt

Routledge

162 pages

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Paperback: 9780367892371
pub: 2019-12-17
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pub: 2017-11-02
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pub: 2017-10-30
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Description

In his third book on the semiotics of title sequences, Title Sequences as Paratexts, theorist Michael Betancourt offers an analysis of the relationship between the title sequence and its primary text—the narrative whose production the titles credit. Using a wealth of examples drawn from across film history—ranging from White Zombie (1931), Citizen Kane (1940) and Bullitt (1968) to Prince of Darkness (1987), Mission: Impossible (1996), Sucker Punch (2011) and Guardians of the Galaxy, Vol. 2 (2017)—Betancourt develops an understanding of how the audience interprets title sequences as instances of paranarrative, simultaneously engaging them as both narrative exposition and as credits for the production. This theory of cinematic paratexts, while focused on the title sequence, has application to trailers, commercials, and other media as well.

Subject Categories

BISAC Subject Codes/Headings:
ART057000
ART / Film & Video
PER004000
PERFORMING ARTS / Film & Video / General
PER004030
PERFORMING ARTS / Film & Video / History & Criticism