Women and Mobility on Shakespeare’s Stage: Migrant Mothers and Broken Homes, 1st Edition (Hardback) book cover

Women and Mobility on Shakespeare’s Stage

Migrant Mothers and Broken Homes, 1st Edition

By Elizabeth Mazzola

Routledge

162 pages

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Description

Long before the economist Amartya Sen proposed that more than 100 million women were missing—lost to disease or neglect, kidnapping or forced marriage, denied the economic and political security of wages or membership in a larger social order—Shakespeare was interested in such women’s plight, how they were lost, and where they might have gone. Characters like Shakespeare’s Cordelia and Perdita, Rosalind and Celia constitute a collection of figures related to the mythical Persephone who famously returns to her mother and the earth each spring, only to withdraw from the world each winter when she is recalled to the underworld. That women’s place is far from home has received little attention from literary scholars, however, and the story of their fraught relation to domestic space or success outside its bounds is one that hasn’t been told. Women and Mobility investigates the ways Shakespeare’s plays link female characters’ agency with their mobility and thus represent women’s ties to the household as less important than their connections to the larger world outside. Female migration is crucial to ideas about what early modern communities must retain and expel in order to carve a shared history, identity and moral framework, and in portraying women as "sometime daughters" who frequently renounce fathers and homelands, or queens elsewhere whose links to faraway places are vital to the rebuilding of homes and kingdoms, Shakespeare also depicts global space as shared space and the moral world as an international one.

Table of Contents

Acknowledgements

Introduction

Part I Mobility and Fearless Flying

Chapter 1: Arden and Eden in As You Like It

Chapter 2 Going Rogue in Othello

Chapter 3 Enemy Fires in King Lear

Part II Migration and the Wider World

Chapter 4 Encrypted Genealogies and Bloody Napkins: Missing Mothers in As You Like It and Othello

Chapter 5 Heading Out and Heading Home

Chapter 6 "Unpathed Waters, Undreamed Shores"

Conclusion: How Many Daughters Make a Kingdom?

Bibliography

Index

About the Author

Elizabeth Mazzola is a Professor of English at The City College of New York.

About the Series

Routledge Studies in Shakespeare

This series is our home for cutting-edge, upper-level scholarly studies and edited collections. Considering Shakespeare alongside topics such as religion, politics, gender, race, ecology, popular culture, and history, titles are characterized by dynamic interventions into established subjects and innovative studies on emerging topics.

Learn more…

Subject Categories

BISAC Subject Codes/Headings:
DRA010000
DRAMA / Shakespeare
LIT000000
LITERARY CRITICISM / General
LIT015000
LITERARY CRITICISM / Shakespeare
LIT019000
LITERARY CRITICISM / Renaissance