Women in Audio
Preview
Book Description
Women in Audio features almost 100 profiles and stories of audio engineers who are women and have achieved success throughout the history of the trade. Beginning with a historical view, the book covers the achievements of women in various audio professions and then focuses on organizations that support and train women and girls in the industry. What follows are eight chapters divided by discipline, highlighting accomplished women in various audio fields: radio; sound for film and television; music recording and electronic music; hardware and software design; acoustics; live sound and sound for theater; education; audio for games, virtual reality, augmented reality, and mixed reality, as well as immersive sound.
Women in Audio is a valuable resource for professionals, educators, and students looking to gain insight into the careers of trailblazing women in audio-related fields and represents required reading for those looking to add diversity to their music technology programs.
Table of Contents
Introduction
Preface
To the Young Reader
Acknowledgements
Chapter One: History
Women in Early Audio History
Ada Lovelace (England)
Fun Facts: What is an algorithm?
Marie Sophie-Germain (France)
Fun Facts: Plate Reverb
Margaret Watts-Hughes (Wales)
Fun Facts: Grace Digney (Ireland) and a modern day Eidophone
Frances Densmore (USA)
Fun facts: The Phonautograph and the Phonograph
Fun Facts: The Graphophone
Aletha Mae Dickerson-Robinson
Women in Talking Pictures
Ursula Greville
Margaret Booth
British Women in Film Sound
The emerging record industry
Helen Oakley Dance (Canada)
World War II
The Audio Engineering Society
Mary Shipman Howard (USA)
Marianna Sankiewicz-Budzyńska
Post War Women in Audio
Kay Rose (USA)
Vivian Carter Bracken (USA)
Cordell Jackson
Ethel Gabriel
Marion Keisker MacInnes
The 1960s
Wilma Cozart Fine
The BBC Radiophonic Workshop
Daphne Oram
Delia Derbyshire (England)
Fun Facts: The Deliaphonica Game
Bell Labs
70’s Second Wave Feminism and Women’s Music
Virgo Rising
June Millington and Fanny
Olivia Records
The Changer and the Changed
Joan Lowe (USA)
Woman Sound
Not so Fun Facts: Imposter Syndrome
Leslie Ann Jones
The 1980s
The Institute for the Musical Arts
AES 1980
MTV: Music Television
Susan Rogers (USA)
The 1990s
Women in Audio: Project 2000
The 21st century
Why are there so few women in audio?
Sexism and Gender Bias in the Audio Industry
"Opting out" of the conversation
Sexual Harassment
On motherhood
On Age
The Annenberg Study
Recording Academy Task Force
The Grammys and Recording Academy Class of 2019
Audio Engineering Society 2019
Chapter Two: Outreach: Organizations and Current Initiatives
Pull
Digital Audio Eco Feminism
Erin Barra and Beats By Girlz (USA)
Fun Facts: Ableton Live and Ableton Push
Phebean Adedamola Oluwagbemi (Nigeria)
Audio Girl Africa (Nigeria)
Female Frequency (USA)
Dani Mari (USA)
I Am Snow Angel (USA)
Women in Sound Zine and Madeleine Campbell (USA)
Gender Amplified (USA)
Ebonie Smith (USA)
The Creator’s Suite (USA)
Abhita Austin (USA)
Yorkshire Sound Women Network (England)
International Women Working in Film
Sound Women (United Kingdom)
Terri Winston and Women’s Audio Mission (USA)
SoundGirls.org
Chapter Three: Radio and Podcasts
Careers in radio and podcasts
Tools of the Trade: Radio
Cathy Hughes (USA)
Ann Charles (England)
Ioana Barbu
Caryl Owen (USA)
Suraya Mohamed (USA)
Lorna White (USA)
Nadia Hassan-Garschagen (Germany)
Podcasts
Chapter Four: Sound for Television & Film
Careers in Sound for Film and Television
Feature Films and Documentaries
Post Production
Live Broadcast
Tools of the Trade: Location Sound
Tools of the Trade: Post Production for television and film
Jan McLaughlin, CAS (USA)
Judi Lee-Headman (England)
Lori Dovi (USA)
Ai-Ling Lee (Singapore)
April Tucker (USA)
Karol Urban, CAS (USA)
Haniya Aslam (Pakistan)
'Lisa' Xiang Li (China)
Sajida Khan (India)
Catharine Wood (USA)
Anna Bertmark (Sweden)
Chapter Five: Music Recording and Electronic Music
Careers in Music Recording and Electronic Music
Electronic Music
Pamela Z
Suzanne Ciani
Cecilia Wu (China)
Producers
Kay Huang (Taiwan)
Elaine Martone (USA)
Erica Brenner (USA)
Linda Briceño (Venezuela)
Virginia Read (Australia)
Mastering Engineers
Emily Lazar (USA)
Jett Galindo (Philippines)
Piper Payne (USA)
Anna Frick (USA)
Darcy Proper (USA)
Fun facts: Vinyl Mastering
Fun Facts: Loudness Wars
Recording Engineers
Lenise Bent (USA)
Erin Tonkon (USA)
Jill Zimmermann (Germany)
Wendy Beines (Argentina)
Other Women in Music Recording
Chapter Six: Hardware and Software Design
Careers in Hardware and Software
Fun Facts: Make your own Audio Plugin with MATLAB
Tools of the Trade: Hardware and Software Design
Laurie Spiegel (USA)
Carla Scaletti (USA)
EveAnna Dauray Manley (USA)
Marina Bosi (Italy)
Erisa Sato (Japan)
Elisabeth Löchen (France)
Marie Louise Killick (England)
Carol Bousquet (USA)
Dawn Birr (USA)
Other women in Hardware and Software
Chapter Seven: Acoustics and Design
Careers in Acoustics
Tools of the Trade: Acoustics
Fun Facts: Weighting Curves
Jamie Angus-Whiteoak (England)
Fun Facts: Spread Spectrum
Elizabeth Cohen (USA)
Samantha Weller (USA)
Fun Facts: Ray Tracing
Orla Murphy (Ireland)
Fun Facts: Ear Training and Critical Listening
Linda Gedemer (USA)
Women in Acoustics Committee
Chapter Eight: Live and Theater Sound
Careers in Live Sound:
Tools of the Trade: Live Sound
Fun Facts: Safe Listening Levels
Kathy Sander-Olhoeft (USA)
Betty Cantor-Jackson (USA)
Brandie Lane (USA)
Karrie Keyes (USA)
Michelle Sabolchick Pettinato (USA)
Fela Davis
Carolina Anton (Mexico)
Leya Soraide (Bolivia)
Tzu-Wei Peng (Taiwan)
Jessica Paz (USA)
Chapter Nine: Education
A brief history of audio education
Academic Standards
Careers in Higher Education
Education-related Volunteer and Non-Profit Work
Tools of the Trade: Education
Martha de Francisco (Columbia)
Robin Coxe-Yeldham (USA)
Theresa Leonard (Canada)
Lisa Nigris (USA)
Valeria Palomino (Mexico)
Liz Dobson
Cosette Collier (USA)
Chapter Ten: Games, Immersive Sound, and Audio for Virtual, Augmented, and Mixed Reality
Tools of the Trade: Game Sound
Tools of the Trade: Immersive Audio
Tools of the Trade: Binaural Audio
Other tools
Women in Game Sound: Industry Statistics
Winifred Phillips (USA)
Eiko Ishiwata (Canada)
Ayako Yamauchi (Japan)
Fun Facts: Ambisonics
Emily Ridgeway (Australia)
Fun Facts: Head Related Transfer Functions
Khris Brown (USA)
Fun Facts: TASCAM Portastudio
Pam Aronoff (USA)
Fun Facts: Wwise
Anastasia Devana (Russia)
Fun Facts: Virtual, Augmented, and Mixed Reality
Victoria Dorn (USA)
Sally Kellaway (Australia)
Fei Yu (China)
About the Author
Glossary
Recommended Reading
Appendix 1
Appendix 2
Author(s)
Biography
Leslie Gaston-Bird (AMPS, MPSE) is an audio engineer, Governor-at-Large for the Audio Engineering Society, and member of the Recording Academy. She has worked for National Public Radio (Washington, D.C.), Colorado Public Radio, the Colorado Symphony Orchestra, Post Modern Company, and the University of Colorado Denver.
Reviews
"Leslie Gaston has done a wonderful job of chronicling our history and the many women who contributed to it. Thanks for helping us to be more visible in an industry that hasn’t always made that easy."
Leslie Ann Jones, Grammy® Winning Recording Engineer