Celebrate Back to College with 20% Off • Shop Now

Accessible Content in Humanities & Media Arts

Humanities & Media Arts Examples

Example 1

A female dancer as Juliette, slowly walking across a raised white platform, and several ensemble dancers in hunched posed beneath the platform, in Sasha Waltz’s ballet.
Caption

Aurélie Dupont and Corps de Ballet in Sasha Waltz’s Roméo et Juliette (Opéra Bastille, 2012). Copyright: Laurent Philippe

Alt Text

A female dancer as Juliette, slowly walking across a raised white platform, and several ensemble dancers in hunched posed beneath the platform, in Sasha Waltz’s ballet.

Example 2

A sheet music excerpt of the third main in the love scene of Hector Berlioz’s dramatic symphony Romeo et Juliette , combining material from theme two and theme one.
Caption

The third theme in the “Scène d’amour” of Berlioz’s Roméo et Juliette , combining material from theme two (mm. 274-276) and theme one (mm. 277-280).

Alt Text

A sheet music excerpt of the third main in the love scene of Hector Berlioz’s dramatic symphony Romeo et Juliette , combining material from theme two and theme one.

Example 3

A massive dark wall on an otherwise empty stage, surrounded by several dancers and a bare, semi-circular concrete structure.
Caption

Sasha Waltz’s Körper (Schaubühne am Lehniner Platz, 2000). Copyright: Bernd Uhlig.

Alt Text

A massive dark wall on an otherwise empty stage, surrounded by several dancers and a bare, semi-circular concrete structure.

Example 4

A large, ballon-like cube floating within a bare, semi-circular concrete structure, with a single dancer beneath the cube.
Caption

Sasha Waltz’s noBody (Schaubühne am Lehniner Platz, 2002). Copyright: Bernd

Alt Text

A large, ballon-like cube floating within a bare, semi-circular concrete structure, with a single dancer beneath the cube.

Example 5

A female dancer and a male dancer, swimming in a tank filled with water and reaching out their arms towards one another.
Caption

Clémentine Deluy and Manuel Alfonso Pérez Torres in Sasha Waltz’s Dido & Aeneas (Grand Théâtre de la Ville de Luxembourg, 2005). Copyright: Sebastian Bolesch.

Alt Text

A female dancer and a male dancer, swimming in a tank filled with water and reaching out their arms towards one another.

Example 6

Two groups of dancers, one dressed in black and the other in white, facing each other across two sloped white platforms that lie on top of one another.
Caption

The Corps de Ballet in Sasha Waltz’s Roméo et Juliette (Opéra Bastille, 2007). Copyright: Bernd Uhlig.

Alt Text

Two groups of dancers, one dressed in black and the other in white, facing each other across two sloped white platforms that lie on top of one another.

Example 7

A cluster of ten dancers on the sloped platforms, leaning into each and resting their heads on the shoulders of the respective dancer in front of them.
Caption

Sasha Waltz & Guests in Sasha Waltz’s Roméo et Juliette (Deutsche Oper Berlin, 2015). Copyright: Bernd Uhlig.

Alt Text

A cluster of ten dancers on the sloped platforms, leaning into each and resting their heads on the shoulders of the respective dancer in front of them.

Example 8

The dancers playing Roméo and Juliette looking at each from opposite ends of the white platform, and between them two rows of dancers lying on top of each other in hunched pose.
Caption

Aurélie Dupont, Hervé Moreau, and Corps de Ballet in Sasha Waltz’s Roméo et Juliette (Opéra Bastille, 2007). Copyright: Bernd Uhlig.

Alt Text

The dancers playing Roméo and Juliette looking at each from opposite ends of the white platform, and between them two rows of dancers lying on top of each other in hunched pose.

Example 9

The dancer playing Roméo kneeling on his left leg, lifting the dancer playing Juliette with his right shoulder, as she maintains balance by extending her legs and arms.
Caption

Aurélie Dupont and Hervé Moreau in Sasha Waltz’s Roméo et Juliette (Opéra Bastille, 2012). Copyright: Laurent Philippe.

Alt Text

The dancer playing Roméo kneeling on his left leg, lifting the dancer playing Juliette with his right shoulder, as she maintains balance by extending her legs and arms.

Example 10

Juliette , leaning backwards on her left leg, into Roméo’s chest, who is standing behind her to receive and catch her with his upper body.
Caption

Aurélie Dupont and Hervé Moreu in Sasha Waltz’s Roméo et Juliette (Opéra Bastille, 2007). Copyright: Bernd Uhlig.

Alt Text

Juliette , leaning backwards on her left leg, into Roméo’s chest, who is standing behind her to receive and catch her with his upper body.

Example 11

Juliette lifting Roméo, who is in an upside down position, with her arms across his torso, as he holds onto her right leg for additional support.
Caption

Aurélie Dupont and Hervé Moreau in Sasha Waltz’s Roméo et Juliette (Opéra Bastille, 2007). Copyright: Laurent Philippe.

Alt Text

Juliette lifting Roméo, who is in an upside down position, with her arms across his torso, as he holds onto her right leg for additional support.

Example 12

Juliette at the edge of a raised upper platform looking down towards Roméo, who is on the lower platform and looking up towards Juliet.
Caption

Aurélie Dupont and Hervé Moreau in Sasha Waltz’s Roméo et Juliette (Opéra Bastille, 2007). Copyright: Bernd Uhlig.

Alt Text

Juliette at the edge of a raised upper platform looking down towards Roméo, who is on the lower platform and looking up towards Juliet.

Example 13

Roméo alone on stage in a black coat during his silent solo, looking upwards in the direction of his extended left arm as if holding on to something.
Caption

Hervé Moreau in Sasha Waltz’s Roméo et Juliette (Opéra Bastille, 2007). Copyright: Bernd Uhlig.

Alt Text

Roméo alone on stage in a black coat during his silent solo, looking upwards in the direction of his extended left arm as if holding on to something.

Example 14

The corpses of Roméo and Juliette lying next to each other in the centre of the stage, with several ensemble dancers kneeling and standing behind them in a cross-shaped cluster.
Caption

Aurélie Dupont, Hervé Moreau, and Corps de Ballet in Sasha Waltz’s Roméo et Juliette (Opéra Bastille, 2012). Copyright: Laurent Philippe.

Alt Text

The corpses of Roméo and Juliette lying next to each other in the centre of the stage, with several ensemble dancers kneeling and standing behind them in a cross-shaped cluster.

Example 15

Roméo and Juliette running across the stage during the love scene in Sasha Waltz’s ballet, with Roméo lifting Juliette by holding her torso with his right arm.
Caption

Aurélie Dupont and Hervé Moreau in Sasha Waltz’s Roméo et Juliette (Opéra Bastille, 2007). Copyright: Bernd Uhlig.

Alt Text

Roméo and Juliette running across the stage during the love scene in Sasha Waltz’s ballet, with Roméo lifting Juliette by holding her torso with his right arm.