Shakespeare and Modernity

Early Modern to Millennium

Edited by Hugh Grady

© 2000 – Routledge

246 pages

Purchasing Options:
Paperback: 9780415212014
pub: 2000-07-20
US Dollars$41.95
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Hardback: 9780415212007
pub: 2000-08-10
US Dollars$130.00
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e–Inspection Copy

About the Book

This in-depth collection of essays traces the changing reception of Shakespeare over the past four hundred years, during which time Shakespeare has variously been seen as the last great exponent of pre-modern Western culture, a crucial inaugurator of modernity, and a prophet of postmodernity. This fresh look at Shakespeare's plays is an important contribution to the revival of the idea of 'modernity' and how we periodise ourselves, and Shakespeare, at the beginning of a new millennium.

About the Editor

Hugh Grady is Professor of English at Beaver College, Pennsylvania, USA. He is the author of The Modernist Shakespeare (1991) and Shakespeare's Universal Wolf (1996).

About the Series

Accents on Shakespeare

The Accents on Shakespeare series provides short, powerful 'cutting edge' accounts of and comments on new developments in Shakespeare studies. The volumes either 'apply' theory, or broaden and adapt it in order to connect with concrete teaching concerns. In the process, they also reflect and engage with the major developments in Shakespearean studies of the last ten years.

Since the New Accents series was established, 'theory' as a fundamental feature of the study of literature, the need for short, 'cutting-edge' accounts of and comments on new developments in literary studies has increased enormously. In the case of Shakespeare, Accents on Shakespeare supplies an exciting range of provocative new titles. The books in the series either apply theory, or broaden and adapt it to connect with teaching concerns. In the process they also reflect and engage with the major developments in Shakespearean studies of recent years.

Learn more…

Subject Categories

BISAC Subject Codes/Headings:
LIT000000
LITERARY CRITICISM / General
LIT015000
LITERARY CRITICISM / Shakespeare