This volume explores how postcolonial texts have determined the evolution or emergence of specific formal innovations in narrative genres. While the prominence of questions of cultural identity in postcolonial studies has prevented due attention to concerns of literary form and aesthetics, this book gives premium to the literary, aiming to delineate the evolution of specific narrative techniques as part of an emerging postcolonial aesthetics. Essays delineate elements of an emergent postcolonial narratology across a variety of seminal generic forms, such as the epic, the novel, the short story, the autobiography, and the folk tale, focusing on genre as a powerful tool for the historicizing of literature and orature within cultural discourses. Investigating the heuristic value of concepts such as mimicry, writing back, translation, negotiation, or subversion, the book considers the value of explanatory paradigms for postcolonial generic models. It also explores the status of postcolonial comparative aesthetics versus globalization studies and liberal concepts of the transnational, taking issue with the prominence of Western concepts of identity in discussions of postcolonial literature and the favoring of mimetic forms. This volume offers a unique contribution to the study of narrative genre in postcolonial literatures and provides valuable insight into the field of postcolonial studies on the whole.
Introduction Saskia Schabio and Walter Goebel Part I: Framing Postcolonial Aesthetics 1. Post-Colonial Utopianism: The Utility of Hope Bill Ashcroft 2. Shifting Genre, Relocating the Aesthetic: Caribbean Inflections of Utopian Thinking Saskia Schabio 3. Writing the Poetry of Troy: Mahmoud Darwish and the Lyrical Epic as Postcolonial Resistance Genre Patrick Williams Part II: Resistant and Intercultural Genres 4. Genre: Fidelity and Transgression in the Post-Colonial African Novel Mpalive Hangson Msiska 5. De-Formed Narrators: Postcolonial Genre and Peripheral Modernity in Mabanckou and Pepetela Sharae Deckard 6. V.S. Naipaul’s Truncated Autobiographical Fictions Walter Goebel Part III: Longue Durée Perspectives and Orature 7. Folk Tales in(to) Postcolonial Narratives and Aesthetics Ferial Ghazoul 8. A House, a Museum, and a Legend: Bait al-Kretliya Nadia El Kholy 9. … What Will Count as the World: Indian Short Story Cycles and the Question of Genre Dirk Wiemann Part IV: Emerging Narrative Genres 10. Saying Sorry: The Politics of Apology and Reconciliation in Recent Australian Fiction Sue Kossew 11. Remapping Territories of Fiction in Ahdaf Soueif’s The Map of Love Noha Hamdy 12. Reading Short Story as a Postcolonialist: ‘This Blessed House’ of Post-colonial Criticism Renate Brosch 13. Postcolonialism and Nostalgia in Michael Ondaatje’s Divisadero Georgiana Banita
Edited in collaboration with the Centre for Colonial and Postcolonial Studies, University of Kent at Canterbury, Routledge Research in Postcolonial Literatures presents a wide range of research into postcolonial literatures by specialists in the field. Volumes concentrate on writers and writing originating in previously (or presently) colonized areas, and include material from non-anglophone as well as anglophone colonies and literatures.
Part of our home for cutting-edge, upper-level scholarly studies and edited collections, this series considers postcolonial literature alongside topics such as gender, race, ecology, religion, politics, and science. Titles are characterized by dynamic interventions into established subjects and innovative studies on emerging topics. Series editors: Donna Landry and Caroline Rooney