Androids and Intelligent Networks in Early Modern Literature and Culture

Artificial Slaves

By Kevin LaGrandeur

© 2013 – Routledge

208 pages

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Hardback: 9780415631211
pub: 2012-12-18
US Dollars$140.00
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About the Book

Awarded a 2014 Science Fiction and Technoculture Studies Prize Honourable Mention.

This book explores the creation and use of artificially made humanoid servants and servant networks by fictional and non-fictional scientists of the early modern period. Beginning with an investigation of the roots of artificial servants, humanoids, and automata from earlier times, LaGrandeur traces how these literary representations coincide with a surging interest in automata and experimentation, and how they blend with the magical science that preceded the empirical era. In the instances that this book considers, the idea of the artificial factotum is connected with an emotional paradox: the joy of self-enhancement is counterpoised with the anxiety of self-displacement that comes with distribution of agency.In this way, the older accounts of creating artificial slaves are accounts of modernity in the making—a modernity characterized by the project of extending the self and its powers, in which the vision of the extended self is fundamentally inseparable from the vision of an attenuated self. This book discusses the idea that fictional, artificial servants embody at once the ambitions of the scientific wizards who make them and society’s perception of the dangers of those ambitions, and represent the cultural fears triggered by independent, experimental thinkers—the type of thinkers from whom our modern cyberneticists descend.

Reviews

'…an ambitious volume… [that] complements recent scholarship on automata in early modern literature, and will be of interest to scholars working on that topic, as well as the history of early modern science and art history.' - Renaissance Quarterly

'Androids and Intelligent Networks in Early Modern Literature and Culture is a lively and stimulating odyssey into a time when the engineer and the magician inhabited mental worlds that overlapped with another in a way that we might like to believe has long since vanished. It is to LaGrandeur's credit that this book helps us to recreate those worlds, while also pointing out ways in which they have not so much disappeared, but have become sublimated within a new language of control and artifice.' - Jonathan Sawday, The American Historical Review

Table of Contents

1. Introduction: Intelligent Tools/Rebellious Agents Part I: In Our Physical Image: Bodies, Body Parts, and Instruments 2. Real Human Automata from the Pre-Empirical Era 3. Whole Bodies: Alchemy, Cabala, and the Embodiment of Force 4. Body Parts: Talking Brass Heads, Dangerous Knowledge, and Robert Greene’s Plays Part II: In Our Operative Image: The Networked Servant Foreshadowed 5. Prospero’s Ethereal Prosthesis 6. Doctor Faustus: Losing Control of the Apparatus 7. Points of Contact

About the Author

Kevin LaGrandeur is Associate Professor of English at the New York Institute of Technology, US.

About the Series

Routledge Studies in Renaissance Literature and Culture

From Shakespeare to Jonson, Routledge Studies in Renaissance Literature and Culture looks at both the literature and culture of the early modern period. This series is our home for cutting-edge, upper-level scholarly studies and edited collections. Considering literature alongside theatre, popular culture, race, gender, ecology, space, and other subjects, titles are characterized by dynamic interventions into established subjects and innovative studies on emerging topics.

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Subject Categories

BISAC Subject Codes/Headings:
LIT000000
LITERARY CRITICISM / General
LIT019000
LITERARY CRITICISM / Renaissance
TEC004000
TECHNOLOGY & ENGINEERING / Automation