Shakespeare, Theatre, and Time

By Matthew Wagner

© 2011 – Routledge

156 pages

Purchasing Options:
Paperback: 9781138793514
pub: 2014-07-17
US Dollars$54.95
x
Hardback: 9780415805872
pub: 2011-08-25
US Dollars$141.00
x

About the Book

That Shakespeare thematized time thoroughly, almost obsessively, in his plays is well established: time is, among other things, a 'devourer' (Love's Labour's Lost), one who can untie knots (Twelfth Night), or, perhaps most famously, simply ‘out of joint’ (Hamlet). Yet most critical commentary on time and Shakespeare tends to incorporate little focus on time as an essential - if elusive - element of stage praxis. This book aims to fill that gap; Wagner's focus is specifically performative, asking after time as a stage phenomenon rather than a literary theme or poetic metaphor. His primary approach is phenomenological, as the book aims to describe how time operates on Shakespearean stages. Through philosophical, historiographical, dramaturgical, and performative perspectives, Wagner examines the ways in which theatrical activity generates a manifest presence of time, and he demonstrates Shakespeare’s acute awareness and manipulation of this phenomenon. Underpinning these investigations is the argument that theatrical time, and especially Shakespearean time, is rooted in temporal conflict and ‘thickness’ (the heightened sense of the present moment bearing the weight of both the past and the future). Throughout the book, Wagner traces the ways in which time transcends thematic and metaphorical functions, and forms an essential part of Shakespearean stage praxis.

Reviews

'Shakespeare, Theatre, and Time flawlessly leads the reader from concept to concept, from theory to text and back. It is literary scholarship at its best, highly readable and informative and makes the reader do what all good secondary literature should do: go and read the primary texts again (or better: go and see the plays again) and experience what has been written about at first hand.' - Michael Heinze, www.theaterforschung.de

Table of Contents

Contents List of Figures Acknowledgements 1: First Breath: An Introduction 2: Time and Theatre 3: The Bodies of Time 4: Time and the Play 5: Time and the Contemporary Shakespearean Stage 6: Final Words: An Ending Notes Bibliography Index

About the Author

Matthew Wagner is a Senior Lecturer in Theatre at the University of Surrey. He has written on the phenomenology of time and space in performance, specifically in the theatre of Shakespeare and Beckett.

About the Series

Routledge Advances in Theatre & Performance Studies

This series is our home for cutting-edge, upper-level scholarly studies and edited collections. Considering theatre and performance alongside topics such as religion, politics, gender, race, ecology, and the avant-garde, titles are characterized by dynamic interventions into established subjects and innovative studies on emerging topics.

Learn more…

Subject Categories

BISAC Subject Codes/Headings:
DRA010000
DRAMA / Shakespeare
LIT015000
LITERARY CRITICISM / Shakespeare
PER000000
PERFORMING ARTS / General
PER011020
PERFORMING ARTS / Theater / History & Criticism