Twentieth Century Music and the Question of Modernity

By Eduardo de la Fuente

© 2010 – Routledge

182 pages

Purchasing Options:
Paperback: 9780415811439
pub: 2012-09-04
US Dollars$43.95
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Hardback: 9780415962087
pub: 2010-07-29
US Dollars$140.00
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e–Inspection Copy

About the Book

In the first decade of the twentieth-century, many composers rejected the principles of tonality and regular beat. This signaled a dramatic challenge to the rationalist and linear conceptions of music that had existed in the West since the Renaissance. The ‘break with tonality’, Neo-Classicism, serialism, chance, minimalism and the return of the ‘sacred’ in music, are explored in this book for what they tell us about the condition of modernity. Modernity is here treated as a complex social and cultural formation, in which mythology, narrative, and the desire for ‘re-enchantment’ have not completely disappeared. Through an analysis of Schoenberg, Stravinsky, Boulez and Cage, 'the author shows that the twentieth century composer often adopted an artistic personality akin to Max Weber’s religious types of the prophet and priest, ascetic and mystic. Twentieth Century Music and the Question of Modernity advances a cultural sociology of modernity and shows that twentieth century musical culture often involved the adoption of ‘apocalyptic’ temporal narratives, a commitment to ‘musical revolution’, a desire to explore the limits of noise and sound, and, finally, redemption through the rediscovery of tonality. This book is essential reading for those interested in cultural sociology, sociological theory, music history, and modernity/modernism studies.

Table of Contents

Introduction 1. Modernity, Modernism and Music 2. Myth and Narrative in Twentieth Century Musical Culture 3. The Structure of Musical Revolutions 4. Music in Max Weber’s Sociology of Modernity 5. Modernity in Theodor Adorno’s Philosophy of Modern Music 6. Music in Modern Theories of Communication 7. Arnold Schoenberg: The Composer as Prophet 8. Igor Stravinsky: The Composer as Priest 9. Pierre Boulez: The Composer as Ascetic 10. John Cage: The Composer as Mystic 11. From Avant-Gardism to Post-Modernism 12. Musical Re-Enchantment?

About the Author

Eduardo De La Fuente is a Lecturer in Sociology in the School of Social and Policy Studies at Flinders University in Australia.

About the Series

Routledge Advances in Sociology

This series presents cutting-edge developments and debates within the field of sociology. It provides a broad range of case studies and the latest theoretical perspectives, while covering a variety of topics, theories and issues from around the world. It is not confined to any particular school of thought.

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Subject Categories

BISAC Subject Codes/Headings:
MUS000000
MUSIC / General
SOC002010
SOCIAL SCIENCE / Anthropology / Cultural
SOC022000
SOCIAL SCIENCE / Popular Culture
SOC026000
SOCIAL SCIENCE / Sociology / General