1st Edition
Reimagining Communication: Experience
Reimagining Communication: Experience explores the embodied and experiential aspects of media forms across a variety of contemporary platforms, uses, content variations, audiences, and professional roles.
A diverse body of contributions offer a broad range of perspectives on memory, embodiment, time, and more. The volume is organized to reflect a pedagogical approach of carefully laddered and sequenced topics, which supports meaningful, project-based learning in addition to a course’s traditional writing requirements. As the field of Communication Studies has been continuously growing and reaching new horizons, this volume presents a survey of the foundational theoretical and methodological approaches that continue to shape the discipline, synthesizing the complex relationship of communication to forms of experience in a uniquely accessible and engaging way.
This is an essential introductory text for advanced undergraduate and graduate students and scholars of communication, media, and interactive technologies, with an interdisciplinary focus and an emphasis on the integration of new technologies.
Series Introduction (Michael Filimowicz and Veronika Tzankova)
Volume Introduction (Michael Filimowicz and Veronika Tzankova)
Chapter 1
Communication, Perception and Innovation:
Seeing the world through metaphorically coloured glasses
Judith Papadopoulos
Chapter 2
Audio Experience
Emma Rodero
Lluis Mas
Chapter 3
Re-Imagining Embodiment in Communication
Jason Edward Archer
Nathanael Bassett
Chapter 4
Reassessing The Importance of Nonverbal Communication In The Age of Social Media
Martin S. Remland
L. Meghan Mahoney
Chapter 5
Prototyping interaction: designing technology for communication
Skye Doherty
Stephen Viller
Chapter 6
Communicating Affect: Face-to-Face and Online
Monica A. Riordan
Alexander A. Johnson
Roger J. Kreuz
Chapter 7
Synchronicity, or Not: on the Temporal Relations between Journalism and Politics
Henrik Bødker
Chapter 8
Reimagining Memory: Digital Media and a new polyphony of memory
Christian Schwarzenegger
Christine Lohmeier
Chapter 9
Virtual space: Palestinians negotiate a lost homeland in film
Hania Nashef
Chapter 10
Mediatization
Frédérick Bastien
Chapter 11
Reimagining audiences in the age of datafication
Pille Pruulmann-Vengerfeldt
Hanna Meyer zu Hörste
Chapter 12
Youth Media Consumption and Privacy Risks in the Digital Era
Wonsun Shin
Chapter 13
Fan Cultures as Analytic Nexus of Media Audiences and Industries
Elena Maris
Chapter 14
From the Ashes of Ubiquity: Selfie Culture as a New Communication Frontier
Jessica Maddox, Steven Holiday, and Yuanwei Lyu
Chapter 15
Receiving the Stranger through the Exposed Heart
Ozum Ucok-Sayrak, Ph.D
List of contributors
Index
Biography
Michael Filimowicz, PhD, is Senior Lecturer in the School of Interactive Arts and Technology at Simon Fraser University. His research is in the area of computer mediated communication, with a focus on new media poetics applied in the development of new immersive audiovisual displays for simulations, exhibition, games, and telepresence, as well as research creation.
Veronika Tzankova is a PhD candidate in the School of Interactive Arts and Technology, Simon Fraser University, and a Communications Instructor at Columbia College–both in Vancouver, Canada. Her background is in human-computer interaction and communication. Sports shape the essence of her research which explores the potential of interactive technologies to enhance bodily awareness in high-risk sports activities.