Popular Music Matters: Essays in Honour of Simon Frith (Hardback) book cover

Popular Music Matters

Essays in Honour of Simon Frith

By Lee Marshall, Dave Laing

© 2014 – Routledge

252 pages

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Hardback: 9781472421791
pub: 2014-10-15
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pub: 2016-03-23
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Description

Simon Frith has been one of the most important figures in the emergence and subsequent development of popular music studies. From his earliest academic publication, The Sociology of Rock (1978), through to his recent work on the live music industry in the UK, in his desire to ’take popular music seriously’ he has probably been cited more than any other author in the field. Uniquely, he has combined this work with a lengthy career as a music critic for leading publications on both sides of the Atlantic. The contributions to this volume of essays and memoirs seek to honour Frith’s achievements, but they are not merely ’about Frith’. Rather, they are important interventions by leading scholars in the field, including Robert Christgau, Antoine Hennion, Peter J. Martin and Philip Tagg. The focus on ’sociology and industry’ and ’aesthetics and values’ reflect major themes in Frith’s own work, which can also be found within popular music studies more generally. As such the volume will become an essential resource for those working in popular music studies, as well as in musicology, sociology and cultural and media studies.

Reviews

"The scope of Frith’s work necessitated a collection that covered a wide range of topics and the choices made by the editors reflect this range adequately. (…) this book is a good addition to popular music studies."

- Martin Lussier, Université du Québec à Montréal, Canada

About the Authors

Lee Marshall is reader in sociology at the University of Bristol, UK. His research interests centre on issues concerning authorship, stardom and intellectual property, with a particular focus on the music industry. Previous books include Bootlegging: Romanticism and Copyright in the Music Industry (2005), Bob Dylan: The Never Ending Star (2007), Music and Copyright Second Edition (with Simon Frith, 2004) and The International Recording Industries (2012). Dave Laing is Honorary Research Fellow at the Institute of Popular Music, University of Liverpool, UK and an editor of the journal Popular Music History. His books include The Sound of Our Time (1969), One Chord Wonders (1985), The Marxist Theory of Art (1987) and Buddy Holly (2010).

About the Series

Ashgate Popular and Folk Music Series

Popular musicology embraces the field of musicological study that engages with popular forms of music, especially music associated with commerce, entertainment and leisure activities. The Ashgate Popular and Folk Music Series aims to present the best research in this field. Authors are concerned with criticism and analysis of the music itself, as well as locating musical practices, values and meanings in cultural context. The focus of the series is on popular music of the twentieth and twenty-first centuries, with a remit to encompass the entirety of the world’s popular music.

Critical and analytical tools employed in the study of popular music are being continually developed and refined in the twenty-first century. Perspectives on the transcultural and intercultural uses of popular music have enriched understanding of social context, reception and subject position. Popular genres as distinct as reggae, township, bhangra, and flamenco are features of a shrinking, transnational world. The series recognizes and addresses the emergence of mixed genres and new global fusions, and utilizes a wide range of theoretical models drawn from anthropology, sociology, psychoanalysis, media studies, semiotics, postcolonial studies, feminism, gender studies and queer studies.

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Subject Categories

BISAC Subject Codes/Headings:
MUS029000
MUSIC / Genres & Styles / Pop Vocal
MUS035000
MUSIC / Genres & Styles / Rock