This incredibly useful volume offers an introduction to the history of literary criticism and theory from ancient Greece to the present. Grounded in the close reading of landmark theoretical texts, while seeking to encourage the reader's critical response, Pelagia Goulimari examines:
Historical connections between theorists and theories are traced and the book is generously cross-referenced. With useful features such as key-point conclusions, further reading sections, descriptive text boxes, detailed headings, and with a comprehensive index, this book is the ideal introduction to anyone approaching literary theory for the first time or unfamiliar with the scope of its history.
"Pelagia Goulimari sets a new standard for reading theory in context, introducing and summarizing theories and theorists without being reductive, contextualizing the broad intellectual and aesthetic movements from which theory emerges, while constantly keeping the focus on deep literary critical understanding. The critical readings are wonderfully fresh and insightful, with constant illumination of the theory through reference to literary authors such as Beckett, Woolf, and Morrison. This truly is a fresh and lively reading of the theoretical scene, offering inspirational insight for beginners and more experienced critics alike." Richard Lane, Vancouver Island University, Canada
"Incredibly useful, and a miracle of concision. A one volume account of over 2500 years of literary criticism that manages to be both informative and readable. I will recommend it to all my students." John McGowan, University of North Carolina, USA, co-editor of the Norton Anthology of Theory and Criticism
"Amongst the many texts seeking to introduce readers to literary theory, Pelagia Goulimari’s Literary Criticism and Theory stands out for its careful and patient reading of critical texts, admirably weaving together older and more recent traditions in a way that helps make coherent sense of the lines of filiation that run through Western and postcolonial understandings of the literary." John Frow, University of Sydney, AUS
Introduction 1. Mimēsis: Plato and the poet 2. Aristotle and tragedy: from Poetics to postcolonial tragedy 3. Medieval and Renaissance criticism: from mimesis to creation 4. The Enlightenment and Romanticism: reason and imagination 5. Modernity, multiplicity and becoming 6. Freud and psychoanalytic criticism: the self in fragments 7. Defamiliarization, alienation, dialogism and montage 8. Decentering modernisms: newness, tradition, culture and society 9. Twentieth-Century North American criticism: close reading to interpretation, modernism to postmodernism, History to histories 10. Poetry & hermeneutics, critique & dissonant composition, freedom & situation 11. From structuralism to poststructuralism: text, power, minor literature, deconstruction 12. Poststructuralist deviations: mimicry, resignification, contrapuntal reading, the subaltern, Signifyin(g), hybridity. Index