1st Edition

A Criminal Hero Justice, Politics and Media Culture in Eighteenth-Century Naples

By Pasquale Palmieri Copyright 2025
158 Pages
by Routledge

158 Pages
by Routledge

158 Pages
by Routledge

In the spring of 1757, the Augustinian friar Leopoldo di San Pasquale was tried in Naples by the hierarchies of his own religious order on charges of financial fraud, heresy, and sexual immorality. He responded by accusing the heads of the convent of subjecting him to a series of inhuman cruelties, claiming to have been "buried alive". While waiting for a final judgment (it was pronounced seven... Read more

Introduction 

Chapter 1: “Buried Alive:” Leopoldo and the Style of the Holy Office (1757–1767) 

Chapter 2: Justice, Literature, and Public Space 

Chapter 3: A Participatory Tale: Verbal, Visual, and Written Forms of Communication 

Chapter 4: Literary Communication and the Building of a Political Culture

Conclusion: A Hidden Identity in the Theater of the World

Biography

Pasquale Palmieri is Associate Professor of Early Modern History at the University of Naples “Federico II.” He is Ph.D. in History of European Society (University of Naples Federico II, 2008) and Italian Studies (University of Texas at Austin, 2021). His research interests include early modern media and literary culture, with a particular emphasis on the relationship between politics and religion. His recent publications include Le cento vite di Cagliostro (2023) and The Land of Devotion. Saints, Politics and Media Culture in 18th-Century Italy (2023).

‘Palmieri’s study exposes the tangled web of eighteenth-century Neapolitan media culture, with its intermingling of different genres and power contests. A concise but rich and deeply researched analysis … the study documents the effect that words, written, printed, published, and disseminated, had on people’s understanding of justice and criminality … Although Palmieri’s microhistorical analysis deliberately restricts its geographical and temporal scope by largely focusing on a single individual, the scholar’s transmedial approach is relevant to examinations of the intersection between media culture and power systems, both within Italian studies and beyond. In our current moment, dominated by false news and in which the political landscape bears witness to the increasingly elusive nature of truth, Palmieri’s study feels particularly timely’ - ANNALI D’ITALIANISTICA (Volume 43, 2025).