First published in 1990. How we perceive and respond to the visual image has been traditional concern of psychologists, philosophers and art historians. Today, where the visual image increasingly permeates our everyday life and consciousness, the question becomes ever more relevant. How do we, for instance, instinctively ‘know’ what it is that a picture represents without having to be taught? How it is that we experience (aesthetic) pleasure in looking at certain pictures? How is it that we often want to talk about the pictures we look at?
Such questions are currently asked by a wide range of disciplines, including: semiotics, psychoanalysis, anthropology, neuropsychology, and in general, contemporary critical analysis of the visual arts. In A Transformational Theory of Aesthetics, Michael Stephan links the findings of these areas. Drawing on their common area of knowledge, he has developed a theory of picture perception and aesthetic response, arguing that images can generate in us a complex pattern of mental changes, or transformations.
A Transformation Theory of Aesthetics is essential reading to those seriously involved in linking the arts and cognitive sciences.
Table of Contents
List of Figures; Foreword; Introduction; 1. The Biological and Procedural Bases of Neuropsychology 2. The Experimental Evidence 3. The Possible Origins of Cerebral Specialization 4. The Right-Hemisphere Cognitive Paradigm 5. Children’s Drawing 6. The Languages of Art 7. A Transformational Theory of Aesthetics 8. Art and Aesthetic Experience 9. The Transformational Planes; Appendix: Psychoanalysis and Art; Notes; Bibliography; Index