1. Using Costumes to Create a Theatrical World 2. Choosing a Period and Level of Accuracy 3. Conducting Research 4. Using Period Research for Costume Design 5. Ancient Greece – 2900-C30 BCE 6. Ancient Rome - C 700 BCE – 476 CE 7. Post-Roman Europe Through Romanesque Circa 476 – C1150 CE 8. Gothic C1150-1500 CE 9. Italian Renaissance C1325-C1600 10. Tudor/Elizabethan/Northern Renaissance - 1485-C1600 11. The 17th Century - 1600-1699 12. The Eighteenth Century to 1775: 1700 – 1775 13. Neo-Classicalism and Revolution - 1775-1794 14. Regency and Empire - 1795-1819 15. Early Victorian/Romantic Era- 1820-1849 16. Mid-Victorian/Crinoline - 1850 – 1869 17. Late Victorian/Bustle - 1870 – 1889 18. End of the Victorian Era - 1890 – 1899 19. Edwardian – 1900 -1909 20. 1910s and World War I 21. 1920 – 1929 22. The Depression and World War II - 1930-45 23. Post World War II – 1946 - 59 24. 1960 - 1969 25. 1970 – 1979 26. 1980 – 1989 27. The End of the Millenium 1990 – 1999 28. The New Millenium 2000 – 2009 29. 2010 - 2019
Biography
Jeanette deJong is Associate Professor of Costume Design, History, and Technology at the University of Oregon. A member of United Scenic Artists, she has designed costumes and taught costume design since 1984. She is also the author of A Working Costume Designer's Guide to Color (Routledge 2021) and A Working Costume Designer's Guide to Fit (Routledge 2023). Her professional design credits include shows at Cincinnati Playhouse in the Park, Indiana Repertory Theatre, Williamstown Theatre Festival, Actors’ Theatre of Louisville, Oregon Contemporary Theatre, Utah Shakespeare Festival, and Illinois Shakespeare Festival, amongst many other theatres. Her technical costume credits include shows at Glimmerglass Opera, Williamstown Theatre Festival, Seattle Repertory Theatre, Intiman Theatre, and Parson-Meares Studio, New York.
