1st Edition

Académie Royale A History in Portraits

By Hannah Williams Copyright 2015
394 Pages 16 Color & 107 B/W Illustrations
by Routledge

394 Pages
by Routledge

From its establishment in 1648 until its disbanding in 1793 after the French Revolution, the Académie Royale de Peinture et de Sculpture was the centre of the Parisian art world. Taking the reader behind the scenes of this elite bastion of French art theory, education, and practice, this engaging study uncovers the fascinating histories - official and unofficial - of that artistic community.... Read more
Contents: Introduction: face-to-face with the Académie Royale. Part I The Official Face: An institutional image: portrait of the artist as an academician; Rituals of initiation: becoming and being in the Académie; On the wall: portraits, spaces, and everyday encounters at the Académie. Part II The Unofficial Face: Bloodlines: portraits of family; Reciprocal acts: portraits of friendship; Facing off: portraits of rivalry. Epilogue: the end of an institution; Appendices; Bibliography; Index.

Biography

Hannah Williams is Junior Research Fellow in Art History at St John's College, University of Oxford.

'Académie Royale: A History in Portraits is full of new insights - often brilliant ones - into the world of the French Royal Academy of Painting and Sculpture. Williams' approach to the inner workings of the Academy through close readings of members' portraits and self-portraits is innovative, refreshing and inspired - drawing as it does on anthropological interpretive models, as well as art-historical ones. Original, meticulously researched and elegantly written, this book will be essential reading for specialists in many fields including history, French studies and cultural anthropology, and it will be an indispensable source for historians of eighteenth-century art.'

Melissa Hyde, University of Florida, USA

'In her thoughtful and illuminating book, Hannah Williams develops a distinctively new approach to the central institution of the ancien-régime art world.'

Emma Barker, French History