1st Edition

Acting Theory and the English Stage, 1700-1830 Volume 3

By Lisa Zunshine Copyright 2008
356 Pages
by Routledge

356 Pages
by Routledge

1808 Pages
by Routledge

During the eighteenth century, treatises on the science of elocution, gesture and naturalness abounded. This title draws together a representative selection of the most difficult-to-access texts in the period. It helps cultural historians to examine the place of stagecraft in the eighteenth-century imagination.

Dramatic Genius (1770), The Theatrical Review; or New Companion to the Play-House (1772), Macaroni (1773), The Sentimental Spouter; or, Young Actor’s Companion (1774), The Elements of Dramatic Criticism (1775), The Siddoniad … a Characteristical and Critical Poem (1784), The Modern Stage Exemplified, in an Epistle to a Young Actor (1788), New Thespian Oracle Containing Original Strictures on Oratory and Acting (1791), The New Spouter’s Companion (1792), The Secret History of the Green-Room: Containing Authentic and Entertaining Memoirs of the Actors and Actresses in the Three Theatres Royal (1795), Dramatic Censor or, Weekly Theatrical Report (1800), Editorial Notes

Biography

Lisa Zunshine