1st Edition
Adaptation, Rearrangement, and Music Across Screen Media
Introduction: Adaptation and Rearrangement Across Screen Media
KATE GALLOWAY, KATHERINE REED, AND REBA A. WISSNER
PART 1: Reuse and Arrangement
1 Cantor Mortis: Singing Bodies, Pre-Existing Music, Death, and Life in Swiss Army Man (dir. Daniels, 2016)
JAMES DENIS MC GLYNN
2 David Bowie, Lazarus, and Self-Adaptation Through the Audiovisual
KATHERINE M. REED
3 Star Trek: Parody—Music in Transmedial Exchange
JESSICA L. GETMAN
4 Transmedia Transylvania: Interactivity and Adaptation in Rocky Horror Video Games
WILLIAM GIBBONS
5 Link’s Awakening for the Nintendo Switch: A Taxonomy of Musical Palimpsests
JORDAN CARMALT STOKES
PART 2: Layering and Dialogue
6 Audiovisual Déjà Vu: Doubling, Afterimages, and Technostalgia in Olivia Rodrigo’s Music Videos
AMY SKJERSETH
7 Death and Transfiguration: (Ludomusical) Adaptation Across the Scott Pilgrim Franchise
STEFAN GREENFIELD-CASAS
8 Transmedia Perry Mason: The Case of the Novel to Film to Television Adaptations
REBA A. WISSNER
9 The Indie Sleaze Revival Will Be Televised: Sync, Self-Referentiality, and the Sound of the 0s
MORGAN BIMM
PART 3: Representation and Recall
10 Adaptation (Taylor’s Version): Performing Intertextual Listening and the Compilation Soundtrack
KATE GALLOWAY
11 Westworld and Crazy Rich Asians: Exploring the Music of Asian and Asian American Identity Formation
CAITLAN TRUELOVE
12 Virtual Acousmatics: Aspects of Orientation Through Gamic Remix
LOGAN H.G. DAVIS
13 Games Telling Lies?: Adapting the Jazz-Noir Fallacy in Game Noir
JAMES C. HEAZLEWOOD-DALE
Biography
Kate Galloway is Assistant Professor of Popular Music at Wilfrid Laurier University
Katherine Reed is Associate Professor of Musicology at California State University, Fullerton.
Reba Wissner is Associate Professor of Musicology and coordinator of the Public Musicology Undergraduate Certificate at Columbus State University.






