Aesthetic and Philosophical Reflections on Mood: Stimmung and Modernity, 1st Edition (Hardback) book cover

Aesthetic and Philosophical Reflections on Mood

Stimmung and Modernity, 1st Edition

By Birgit Breidenbach


224 pages

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Hardback: 9780367275525
pub: 2020-05-13
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This study explores the concept of Stimmung in literary and philosophical texts of the modern age. Signifying both 'mood' and 'attunement', Stimmung speaks to the categories of affective experience and aesthetic design alike. The study locates itself in the nexus between discourses on modernity, existentialism and aesthetics and uncovers the pivotal role of Stimmung in 19th- and 20th-century European narrative fiction and continental philosophy. The study first explores the philosophical and aesthetic origins and implications of Stimmung to, then, discuss its role in the narrative fiction of three key authors of modern literature: Fyodor Dostoevsky, Samuel Beckett and Thomas Bernhard. These readings demonstrate a significant shift towards an aesthetic of affective intensity and immediacy, in which the experience of the reading process takes centre stage as each author develops an aesthetic philosophy of Stimmung in their own right. Through its focus on the concept of Stimmung, the study thus unearths a fundamental link between existentialist concerns and narrative practice in modern literature.

Table of Contents


Introduction. Stimmung and Modernity: Theoretical Explorations

Stimmung in Modern Philosophy

Conceptualising Stimmung in Literature

Chapter 1: Fyodor Dostoevsky’s Moody Modernity

Alienation in the Modern City

The Intensity of Aesthetic Experience

Aesthetic Intensity and the Modern Condition

Chapter 2: Aesthetic Attunement in Samuel Beckett’s Narrative Fiction

The (Pre- and Post-)Cartesian Subject in Murphy and Watt

‘All I am is feeling:’ The Textual Dynamics of Molloy

Decomposed Selves, Voices in the Dark

Chapter 3: Eine ‘Stimmungssache:’ Thomas Bernhard’s ‘Trilogy of the Arts’

Music and Artistic Ideal in The Loser

Woodcutters: Irritation and the Creative Process

Bernhard’s Aesthetics of Stimmung and the Failure of Art in Old Masters



About the Author

Birgit Breidenbach is a Lecturer in Literature and Philosophy at the University of East Anglia. She completed her Ph.D. in English and Comparative Literary Studies at the University of Warwick and gained teaching and research experience at Warwick and Queen Mary University of London before joining UEA in 2018. Her published and presented work focuses on literary and aesthetic theory, mood and affect and the interplay between philosophy and literature.

About the Series

Routledge Studies in Twentieth-Century Literature

From Joyce to Rushdie, Modernism to Food Writing, Routledge Studies in Twentieth Century Literature looks at both the literature and culture of the 20th century. This series is our home for cutting-edge, upper-level scholarly studies and edited collections. Considering literature alongside religion, popular culture, race, gender, ecology, travel, class, space, and other subjects, titles are characterized by dynamic interventions into established subjects and innovative studies on emerging topics.

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