1st Edition
Affective World-Making Routing Planetary Thought
Introduction
Simi Malhotra, Sakshi Dogra and Jubi C. John
1) Thinking Architecture: From Phenomenology to Planetarity
Abu Talha Farooqi
2) In-Between Performances: Worlding, Ethical Consciousness and Affective Responses
to Contemporary Choreographies
Suman Bhagchandani
3) Sound of Resistance: A Study of Climate and Culture through Rap Music
Ved Prakash
4) Travel, Medical Affect and the Romantic Planetarity
Soumava Maiti
5) Mapping Art and Ecology in Dhiraj Pednekar’s Select Performances: An Affective Turn
Shikha Maharshi
6) Immersive Ambience: Encoding a Digital Poetics of Instapoetry
Shweta Khilnani
7) Child’s Play and Survival: Examining Children’s Games in the Squid Game
Zahra Rizvi
8) Emerging Digital Planetarities: The YouTube Reaction Video and Affective Fandom
Ananya Punyatoya
9) ‘No one understands the Savagery of this Place’: Affect and Sense of a Place in
Louise Glück’s A Village Life
Deeksha Yadav
10) Composing [ ] Inhuman
Monica Yadav
11) Non-Human Visions: From Experimental Cinema to Hollywood
Bijoy Philip VG
12) Submergence ‘Within’ and ‘Without’: Local and Planetary Memories in Arula
Ratnakar’s ‘Submergence’
Indrani Das Gupta
13) Erotic environmentalism: The Awegasmic Activism of Ecosexuality
Lisa Weideman Farrant
14) To Stare or Not to Stare: An Affective Study of Disability through Select Hindi Films
Mansi Grover
15) Shame and its Lovers: Unstable Affective Transmissions in Garth Greenwell’s
Fiction
Sumant Salunke
16) The Politics of Pain and Anger: Representing Sexual Trauma in Graphic Narratives
Amrita Singh
Biography
Simi Malhotra has a cumulative experience of more than twenty-two years of teaching and research guidance at PhD, MPhil, and postgraduate and undergraduate levels. Her latest publications are the co-authored/co-edited books Ocean as Method: Thinking with the Maritime (2022), Terrains of Consciousness: Multilogical Perspectives on Globalization (2021), Food Culture Studies in India: Consumption, Representation and Mediation (2021), and Inhabiting Cyberspace in India: Theory, Perspectives and Challenges (2021). She is the recipient of several grants and awards, the latest being the 2020 DUO-India Professor Fellowship Award.
Sakshi Dogra currently teaches English literature and language at Gargi College (University of Delhi) as Assistant Professor. She is also a PhD research scholar at the Department of English, Jamia Millia Islamia. She is broadly interested in affect theory; study of moods and atmospheres; and emotions, feelings, and their function in constituting people and cultures. She has co-edited Food Culture Studies in India: Consumption, Representation and Mediation (2021) and Inhabiting Cyberspace in India: Theory, Perspectives and Challenges (2021), both published by Springer Nature. She is also the co-editor of Imagining Worlds, Mapping Possibilities: Select Science Fiction Stories (2020). She has presented papers at both national and international conferences.
Jubi C. John is a PhD scholar and Senior Research Fellow at the Department of English, Jamia Millia Islamia, New Delhi, India. She was the co-chief organizer of the Young Researchers’ Conference on ‘As a Matter of Affect: Making Sense of Planetarity,’ conducted by the Department of English, JMI. Her PhD thesis looks at corporeal subjectivity, body politics, and sexual dynamics in Caribbean Island Women’s narratives. Her research interests are in the field of embodiment and desire, popular culture and digital spaces, island studies, and memory studies. Previously, she has delivered lectures at the University of Delhi and Jamia Millia Islamia.
“This remarkable book of essays theorizes and performs a new planetary worldling emergent in cultural, visual, digital, architectural and place-based aesthetics. Here, planetary entanglements take place in the multiplicitous, more-than-human compositions of ordinary scenes, or in traumas, or sexualities becoming palpable in rap music, performance art, practices of travel, instapoetry, children’s games, fan practices, graphic narratives, and YouTube reaction videos. Once-submerged forms of world-making proliferate, both weighted and alive with beautiful and dangerous potential.”
Kathleen Stewart
