After the Break Television Theory Today

After the Break, Television Theory Today 1. Questioning the crisis 2. New paradigms 3. New concepts 4. Concluding thoughts1References Part I: Questioning the crisis 'Unreading' contemporary television 1. Analyzing quality television=and why it is redundant 2. The complexities of television as medium 3. Unreading television 4. Conclusion References Caught, Critical versus everyday perspectives on television 1. Media 2.0 and the cultural studies perspective on television 2. The mass communication paradigm in its protoprofessionalized version 3. Conclusion Notes References The persistence of national TV, Language and cultural proximity in Flemish fiction 1. National television in a global era 2. National viewing 3. The Flemish case 4. Conclusion Notes References Constructing television, Thirty years that froze an otherwise dynamic medium 1. An era of constraint 2. The public and the nation: lessons from the Third Reich 3. A television freeze and a Cold War 4. Contextualizing constraint74 Notes References When old media never stopped being new, Television's history as an ongoing experiment 1. Always already new: the ongoing transformation of television 2. Experimental systems 3. Experiments in television85 4. Experimental moments of broadcast/network television 5. Broadcast/network television as an ongoing experiment 6. Post-network experiments 7. Closing remark on television studies Notes References Part II: New paradigms100 Unblackboxing production, What media studies can learn from actor-network theory 1. ANTa very short introduction 2. A mechanics of power 3. Media from an ANT perspective 4. The media's mechanics of power 5. A teaching moment 6. Conclusion, Notes References, Convergence thinking, information theory and labour in 'end of television' studies 1. Introduction 2. The empirical tendency and information theory 3. Convergence thinking 4. Conclusion Television memory after the end of television history? 1. Television memory and television history 2. Television memory and audience research 3. The complexity of the concept of television memory136 4. Representations of the past on television: television as memory maker 5. Towards a new participative television memory 6. Conclusion Part III: New concepts YouTube beyond technology and cultural form 1. Introduction 2. YouTube as technology: homecasting149 3. YouTube as social practice: video-sharing 4. YouTube as cultural form: snippets 5. Move along folks, just move along, there's nothing to see, Transience, televisuality and the paradox of anamorphosis, Barry Chappell's Fine Art Showcase. Apparitional TV, aesthetic value, and the art market 1. The value of art on TV 2. The art of selling the work of art 3. Apparitional television 4. Conclusion, Notes, References, About the authors, Index.

Biography

Marijke de Valck is a lecturer of Media Studies at Amsterdam University Jan Teurlings is lecturer in television studies at the University of Amsterdam.