Alchemy in Contemporary Art analyzes the manner in which twentieth-century artists, beginning with French Surrealists of the 1920s, have appropriated concepts and imagery from the western alchemical tradition. This study examines artistic production from c. 1920 to the present, with an emphasis on the 1970s to 2000, discussing familiar names such as Andre Breton, Salvador Dali, Yves Klein, Joseph Beuys, and Anselm Kiefer, as well as many little known artists of the later twentieth century. It provides a critical overview of the alchemical tradition in twentieth-century art, and of the use of occultist imagery as a code for political discourse and polemical engagement. The study is the first to examine the influence of alchemy and the Surrealist tradition on Australian as well as on Eastern European and Mexican art. In addition, the text considers the manner in which women artists such as Leonora Carrington, Remedios Varo, and Rebecca Horn have critically revised the traditional sexist imagery of alchemy and occultism for their own feminist purposes.
Table of Contents
Contents: Introduction; The alchemical legacy; The French Surrealists and alchemy; The theatre of alchemy: Artaud, Duchamp, Klein; Alchemy in American art?; Redemption; Black alchemy: the photographic library; Gender and abjection; Women's alchemy; Australian art and the esoteric tradition; Earth magic; Alchemy and art in the Czech State and Poland; Afterthought: politics or poetry?; Bibliography; Index.
Urszula Szulakowska is a Lecturer in the School of Fine Art, History of Art & Cultural Studies at the University of Leeds, UK. She has written extensively on the history of alchemical illustration from the Renaissance period to the present day.
'Urszula Szulakowska has established herself as an indispensable authority on the artistic as well as ideological aspects of early modern alchemy. This time she ventures into the modern period and opens up hitherto unexplored territories.' Gyorgy E. Szonyi, University of Szeged, Hungary