1st Edition
Amazing Grace at 250 Global Heritage and Contested Legacies
List of contributors
Faith’s Review and Expectation by John Newton
Foreword by Anthony G. Reddie
Introduction
Gareth Atkins and Martin V. Clarke
Part One: Global Heritage
1. The Enduring Textual Power of Amazing Grace”: John Newton’s Hymn as Exemplary Devotional Verse
Nancy Jiwon Cho
2. What is so Amazing about Grace? “Amazing Grace” in the Contexts of Eighteenth-Century Theology and Hymnody
Markus Rathey
3. Awaiting Grace: A Hymn Comes Home
Janet Wootton
4. From “Amazing Grace” to “Preciosa Graça”: Transnational Echoes of a Protestant Hymn
Marcell Silva Steuernagel
5. “Amazing Grace” and New Britain Beyond the Anglophone World: German Paraphrases and New Texts, 1971-2023
Walter Kurt Kreyszig
6. Recontextualizing “Amazing Grace” in Hong Kong: Its Social and Pastoral Meanings
Lam Yee-Lok Enoch
Part Two: Music and Musicians
7. “How Sweet the Sound”: “Amazing Grace” and the Eventual Ubiquity of NEW BRITAIN
Daniel Johnson
8. “Amazing Grace,” Aretha, and the Transcendent
Matthew A. Williams
9. Retuning “Amazing Grace”
Martin V. Clarke
10. Amazing Affordances: Revealing the idiomaticity of the harmonica through a classic hymn
Mikael Bäckman
Part Three: Contested Legacies
11. “Now I See:” Discussing blindness in hymnody
Gillian Warson
12. “Amazing Grace” for Lawyers: lessons from the first 250 years
Simon Lee
13. Through many dangers: “Amazing Grace” as an act of congregational care during crisis
Fiona Evison
14. “Amazing Grace” in Virtual Space: Two Pandemic Performances on YouTube
Mark Porter
15. The Making of Forever? A Poet’s Practice-Steeped Reflection
Rommi Smith
Index
Biography
Martin V. Clarke is Senior Lecturer in Music at The Open University, UK.
Gareth Atkins is Fellow, Tutor, and Director of Studies in History at Queens’ College, University of Cambridge, UK.






