1st Edition

American Icons The Genesis of a National Visual Language

By Benedikt Feldges Copyright 2008
296 Pages
by Routledge

296 Pages
by Routledge

296 Pages
by Routledge

Despite the work that has been done on the power of visual communication in general, and about the social influence of television in particular, television’s relationship with reality is still something of a black box. Even today, the convention that the screen functions as a window on reality structures much of the production and reception of televisual narratives. But as reality ought to become... Read more

Acknowledgements

Introduction

Part A: Icons in the Museum

Part B: Kaleidoscopic Spectacles

Part C: Hyperrealism

Appendix

Glossary: Four Codes of Visual Language

Notes

Listing of Sources

Bibliography

Biography

Benedikt Feldges currently works at the FEBL, Institute of Continuous Education, Kanton Baselland, in Switzerland.

"Feldges argues that historians must abandon the idea that pictures can be used to construct a history of what they seem to depict, embracing instead a study of visual "etymology" – that is, tracing a path of how images came to be encoded with commonly understood meanings.... the book offers both a theoretical framework for a more complex understanding of visual language, as well as a glimpse of what visual language looked like when broadcast still ruled the day." --Jason Tocci, International Journal of Communication