Introduction 1. Studying Television 2. Television Style and Form 3. Television Narrative 4. Television Histories 5. Television Industries 6. Television Genres and Formats 7. Television Realities 8. Television Production 9. Television Audiences 10. Television Representation and Identity 11. Television Cultures and Globalisation 12. Television and Quality Glossary of key terms
Biography
Jonathan Bignell is Professor of Television and Film at the University of Reading, UK. He authored three previous editions of An Introduction to Television Studies and was co-author of The Television Handbook, second edition. His many other publications include co-editing the book A European Television History.
Faye Woods is Associate Professor of Film and Television at the University of Reading, UK. She is the author of the books Period Drama and British Youth Television.
Praise for the previous editions:
‘At a time when the question of what constitutes "television" is being ever more keenly debated and as the medium continues to be reimagined, I can think of no other book to so adroitly meet the needs of students new to Television Studies. Engaging, accessible, and with a diverse series of activities and case studies that capture both the history and dynamism of this subject, Bignell’s invaluable new edition provides a comprehensive entry into the most significant debates in the field.’ Dr Deborah Jermyn, Reader in Film and Television, Roehampton University
‘In covering key areas of Television Studies, ranging across history, aesthetics, genre, production and reception, this book remains a key touchstone for students entering and studying the field. Accessibly written and well-illustrated with the addition of up-to-date examples, Bignell manages to span the core concepts and concerns of the discipline in an engaging and stimulating manner. At a time when the very idea of ‘television’ as an object of study is undergoing significant shifts, An Introduction to Television Studies succeeds in taking us on a journey which maps out longstanding aspects of television (and Television Studies), whilst embracing the "new" context of television’s dispersed screens and digital culture.’ Su Holmes, Reader in Television Studies, University of East Anglia
