1st Edition

Andrei Tarkovsky's Sounding Cinema Music and Meaning from Solaris to The Sacrifice

By Tobias Pontara Copyright 2020
208 Pages 18 B/W Illustrations
by Routledge

206 Pages 18 B/W Illustrations
by Routledge

206 Pages 18 B/W Illustrations
by Routledge

Andrei Tarkovsky's Sounding Cinema adds a new dimension to our understanding and appreciation of the work of Russian director Andrei Tarkovsky (1932–1986) through an exploration of the presence of music and sound in his films. The first comprehensive study in English concentrating on the soundtrack in Tarkovsky’s cinema, this book reveals how Tarkovsky’s use of electronic music,... Read more

Chapter 1: Interpreting Tarkovsky’s Cinema through its Music



Chapter 2: Bach at the Space Station: Diegetic Ambiguities and Multiplying Gaps in Solaris



Chapter 3: Memories, Dreams and Mysteries: Music and Dimensions of Human Experience in Mirror



Chapter 4: Beethoven Overcome: Transcendence and Utopia in Stalker



Chapter 5: Musical Offerings, Soothing Sounds and Sacrificial Acts: Managing the Nostalgia of Nostalghia



Chapter 6: The Voice of Truth: Liminal Music, Spiritual Authenticity and Gradual Awakening in The Sacrifice



Chapter 7: Music, Meaning and Troubled Utopias in Tarkovsky’s Cinema



Appendix: The Structure of Mirror

Biography

Tobias Pontara is Professor in Musicology at the University of Gothenburg, Sweden.