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Anthology for Hearing Form: Musical Analysis With and Without the Score book cover

3rd Edition

Anthology for Hearing Form Musical Analysis With and Without the Score

By Matthew Santa Copyright 2023
    474 Pages 460 B/W Illustrations
    by Routledge

    474 Pages 460 B/W Illustrations
    by Routledge

    Hearing Form: Musical Analysis With and Without the Score, Third Edition is a complete course package for undergraduate courses on musical forms, with comprehensive coverage from the Baroque to the Romantic. Placing emphasis on listening, it teaches students to analyze music both with and without the use of a score, covering phrase endings and cadences, harmonic sequence types, modulations, formal sections, and musical forms.

    Hearing Form is supported by an integrated workbook section, its own full-score anthology, and a companion website containing an instructor’s manual, test bank, and audio streaming and downloads of recordings for the pieces in the anthology.

    Key updates in the third edition include:

    • Treatment of phrases and cadences now allows the book to be used by both instructors who teach that all phrases end with cadences, and those teach that some phrases do not
    • New pieces added to the anthology widen the range of composers represented

    With an engaging and practical approach informed by recent scholarship, Hearing Form enables students to recognize musical elements both by sight and by ear.

    This is the Hearing Form anthology only. For the Hearing Form textbook, see ISBN 978-0-367-70380-6. For the textbook and anthology package, see ISBN 978-0-367-70391-2.

    1. J. S. Bach, Goldberg Variations, Aria
    2. J. S. Bach, Two-Part Inventions, No. 1 in C Major
    3. J. S. Bach, Two-Part Inventions, No. 13 in A Minor
    4. J. S. Bach, The Well-Tempered Clavier, Book I, Prelude in C Major
    5. J. S. Bach, The Well-Tempered Clavier, Book I, Fugue in F Major
    6. J. S. Bach, The Well-Tempered Clavier, Book I, Fugue in B Major
    7. J. S. Bach, The Well-Tempered Clavier, Book II, Fugue in E Minor
    8. J. S. Bach, Partita No. 3 in E for Solo Violin, Gavotte en Rondeau
    9. J. S. Bach, Orchestral Suite No. 2, Badinerie
    10. J. S. Bach, Orchestral Suite No. 3, Air
    11. J. S. Bach, Orchestral Suite No. 3, Gavotte I
    12. J. S. Bach, Orchestral Suite No. 3, Gavotte II
    13. J. S. Bach, Mass in B Minor, "Crucifixus"
    14. Ludwig van Beethoven, Piano Sonata F Minor, Op. 2, No. 1, I
    15. Ludwig van Beethoven, Piano Sonata in C Minor, Op. 13, III
    16. Ludwig van Beethoven, Symphony No. 2 in D Major, IV
    17. Ludwig van Beethoven, Symphony No. 3 in E-flat Major, I
    18. Ludwig van Beethoven, Symphony No. 5 in C Minor, I
    19. Ludwig van Beethoven, String Quartet in C-Sharp Minor, Op. 131, I
    20. Johannes Brahms, Variations on a Theme by Haydn, Op. 56a
    21. Johannes Brahms, Symphony No. 4 in E Minor, IV
    22. Johannes Brahms, Violin Concerto in D Major, Op. 77, I
    23. Frederic Chopin, Prelude in E Minor
    24. Samuel Coleridge-Taylor, "When I Am Dead, My Dearest"
    25. Claude Debussy, Preludes, Book I, No. 10, "La Cathédrale engloutie"
    26. G. F. Handel, Giulio Cesare, I/5, "Non Disperar"
    27. G. F. Handel, Giulio Cesare, I/6, "L’empio, sleale, indegno"
    28. English translations of the Handel arias
    29. G. F. Handel, Messiah, Part I, Overture 
    30. F. J. Haydn, Piano Sonata in C minor, Hob. XVI: 20, I
    31. F. J. Haydn, Piano Sonata in D Major, Hob. XVI: 37, III
    32. F. J. Haydn, Symphony No. 101 in D Major, IV
    33. F. J. Haydn, Symphony No. 103 in E-flat Major, I
    34. Fanny Mendelssohn Hensel, "Schwanenlied"
    35. Fanny Mendelssohn Hensel, "Mayenlied"
    36. English translations of the Hensel Lieder
    37. Paul Hindemith, Ludus Tonalis, Fugue No. 9 in B-Flat
    38. Sott Joplin, "Maple Leaf Rag"
    39. Josephine Lang, "Den Abschied schnell genommen"
    40. Josephine Lang, "Ob ich manchmal Dein gedenke"
    41. English translations of the Lang Lieder
    42. Franz Liszt, "Nuages Gris"
    43. W. A. Mozart, Piano Sonata in A Major, K. 331, I
    44. W. A. Mozart, Piano Sonata in B-Flat Major, K. 333, III
    45. W. A. Mozart, Eine kleine Nachtmusik (all four movements)
    46. W. A. Mozart, Symphony No. 35 in D Major, IV
    47. W. A. Mozart, Symphony No. 40 in G Minor, I
    48. W. A. Mozart, Symphony No. 40 in G Minor, III, Menuetto
    49. W. A. Mozart, Piano Concerto in D Major, K. 107, I
    50. W. A. Mozart, Piano Concerto in E-flat Major, K. 271, I
    51. Johann Pachelbel, Canon in D
    52. Henry Purcell, Dido and Anaeas, "When I Am Laid in Earth"
    53. George Rochberg, String Quartet No. 6, III. Variations
    54. Alessandro Scarlatti, L’honestà negli amori, "Già il sole dal Gange"
    55. Arnold Schoenberg, Suite for Piano, Op. 25, Minuet and Trio
    56. Franz Schubert, "Heidenröslein"
    57. Franz Schubert, Mignon, D. 321, "Kennst du das Land?"
    58. English translations of the Schubert Lieder
    59. Robert Schumann, Carnival, "Eusebius"
    60. Robert Schumann, Novelletten, Op. 21, No. 7
    61. Richard Strauss, "Morgen"
    62. English translations of the Strauss and Wolf Lieder
    63. Giuseppi Verdi, La Traviata, "È strano! … Ah, fors’è lui … Sempre libera"
    64. English translation of "È strano! … Ah, fors’è lui … Sempre libera"
    65. Antonio Vivaldi, The Four Seasons, Concerto No. 2 ("Summer"), I
    66. Antonio Vivaldi, The Four Seasons, Concerto No. 4 ("Winter"), I
    67. Hugo Wolf, "Verborgenheit"

    Biography

    Matthew Santa is a Professor of Music Theory and Chair of the Music Theory Area at the Texas Tech University School of Music.

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