This full-score anthology for Hearing Rhythm and Meter: Analyzing Metrical Consonance and Dissonance in Common-Practice Period Music supports the textbook of the same name, the first book to present a comprehensive course text on advanced analysis of rhythm and meter. From the Baroque to the Romantic era, Hearing Rhythm and Meter emphasizes listening, enabling students to recognize meters and metrical dissonances by type both with and without the score. Found here are masterworks carefully chosen as the ideal context for the presentation of foundational concepts.
Textbook (Print Paperback): 978-0-8153-8448-9
Textbook (Print Hardback): 978-0-8153-8447-2
Textbook (eBook): 978-1-351-20431-6
Anthology (Print Paperback): 978-0-8153-9176-0
Anthology (Print Hardback): 978-0-367-34924-0
Anthology (eBook): 978-1-351-20083-7
Table of Contents
J. S. Bach, Two-Part Inventions, No. 13 in A Minor / J. S. Bach, The Well-Tempered Clavier, Book I, Fugue in B Major / J. S. Bach, Partita in C Minor, BWV 826, Sarabande / Ludwig van Beethoven, Piano Sonata F Minor, Op. 2, No. 1, I/ Ludwig van Beethoven, Symphony No. 3 in E-flat Major, I / Ludwig van Beethoven, Symphony No. 7 in A Major, III, Scherzo / Ludwig van Beethoven, Symphony No. 9 in D Minor, II, Scherzo / Johannes Brahms, Variations on a Theme by Haydn / Johannes Brahms, Symphony No. 4 in E Minor, IV / G. F. Handel, Giulio Cesare, I/6, "L’empio, sleale, indegno" / English translation of "L’empio, sleale, indegno" / F. J. Haydn, Piano Sonata in C minor, Hob. XVI: 20, I / F. J. Haydn, Symphony No. 101 in D Major, IV / F. J. Haydn, Symphony No. 103 in E-flat Major, I / Fanny Hendel, Sechs Lieder, Op. 1, No. 1, "Schwanenlied" / Fanny Hendel, Sechs Lieder, Op. 1, No. 4, "Mayenlied" / English translations of the Hensel Lieder / W. A. Mozart, Piano Sonata in B-Flat Major, K. 333, III / W. A. Mozart, String Quintet No. 3, K. 516, III / W. A. Mozart, Symphony No. 40 in G Minor, I / W. A. Mozart, Symphony No. 40 in G Minor, III, Menuetto / Alessandro Scarlatti, L’honestà negli amori, "Già il sole dal Gange" / English translation of "Già il sole dal Gange" / Franz Schubert, "Kennst du das Land?" / English translation of "Kennst du das Land?" / Robert Schumann, Carnaval, "Eusebius" / Robert Schumann, String Quartet Op. 41, No. 1, I / Robert Schumann, String Quartet Op. 41, No. 2, II / Richard Strauss, "Morgen" / English translations of "Morgen" and "Verborgenheit" / Hugo Wolf, "Verborgenheit"
Matthew Santa is Professor of Music Theory and Chair of the Music Theory and Composition Area at the Texas Tech University School of Music.