1st Edition

Architectural Colour in the Professional Palette

By Fiona McLachlan Copyright 2012
248 Pages
by Routledge

248 Pages
by Routledge

How do architects use color? Do they adopt a different strategy or starting point for every project? Do they gradually cultivate individual color palettes, which develop alongside their body of built work? Do they utilize, or are they aware of, the body of theoretical work that underpins the use of color in the past, and forms the basis of most of the color systems commercially available today?... Read more

1. Introduction: Investigations in the Professional Palette  2. Form, Colour and Material Surface  3. The Unattainable Myth of Novelty: Caruso St John  4. An Intuitive Palate: O’Donnell and Tuomey  5. Edges and Surfaces: Gigon/Guyer  6. Synergies and Dischords: Sauerbruch Hutton  7. Transformational, Instrumental Colour: UN Studio  8. The Influence of An Artist: Erich Wiesner and Otto Steidle  9. The Brightness of Yellow: AHMM  10. Playing Space: Laws, Rules and Prescription

Biography

Fiona McLachlan is Professor of Architectural Practice and head of the Edinburgh School of Architecture and Landscape Architecture (ESALA) at the University of Edinburgh, and is a practising architect.

The book makes you acutely aware that something so inextricably linked to the experience of architecture is missing from the current education of an architect....[It] goes way beyond simple aesthetics and explores the body of theoretical work that underpins the use of colour in the past and which informs the work of this selection of architects." — Professor Alan Pert, NORD, UK