1st Edition
Architecture as Civil Commitment: Lucio Costa's Modernist Project for Brazil
Foreword Fernando Lara
Introduction
- The start of a militant career: the direction of the School of Fine Arts
- Reasons of the new architecture: Gustavo Capanema’s grands travauxs
- A programme for national architecture: the years of the Estado Novo
- A strategy of mediation: between the CIAM and the SPHAN
- Shaping the true Machine Age: art, city, landscape
The young director of the School of Fine Arts
A discreet revolution
The Salão dos Tenentes
Report of a failure
A history to reconsider
The great public assignments and Capanema’s "dossier"
New architecture, between theory and practice
Le Corbusier and the appel à l’Autorité
Negotiations and lost opportunities
Struggles and compromises
Toward a State architecture
A genealogy of modern Brazilian architecture
A rising intellectualisation
Modernism and national heritage
Shaping national heritage
Dealing with historical pre-existence
The colonial roots of Brazilian architecture
Baroque and national personality
Brazilian houses
Parisian experiences
Art and the emancipation of the masses
In search of a new monumentality
A maquisard in urban planning
Landscape and urbanism
A new humanism
Biography
Gaia Piccarolo is Adjunct Professor of History of Contemporary Architecture and Landscape at the Politecnico di Milano and member of the editorial staff of the architectural magazine Lotus International. She received her PhD in History of Architecture and Urban Planning from Politecnico di Torino in 2010, with a thesis on Lucio Costa’s public charges during the Vargas Era. She curated several exhibitions and published extensively on contemporary architecture and urban planning, with special reference to Brazilian modernism and the circulation of ideas and models between Europe and the Americas. Her research has been presented in Europe, the United States, Canada, and Brazil in the framework of international seminars and conferences.
