Preface
What commons, for what socialnesses?
Andrés Jaque
Introduction
Architecture Under a Commons Lens
Marcelo López-Dinardi
Institutions
The Scale of Commons: Thresholds Infrastructures
Pelin Tan
A Language Act: Making Language with and for Fluid Identities
Amira Hanafi
Within and Beyond Walls
Marina Otero Verzier in conversation with Marcelo López-Dinardi
Common Goods: Reanimation of Lost Industrial Design Objects in Allende’s Chile
Fernando Portal
In Land We Trust?
Nandini Bagchee
la mesa, la olla, las hojas
A conversation on the revolts of spatial-doings beyond-against and beyond architectural labor
coopia
Territories
Black Spatial Intonation
Emanuel Admassu
Woven Underground, Conflicting Ground
Luciana Varkulja
Unearthing and Reversing: Exhausting the Water Cycle
Linda Schilling Cuellar
Design in Participatory Justice Processes: The Sepur Zarco Case of Guatemala
Elis Mendoza
From Accidental Commons to Collectives of Redistribution
Janette Kim
Design Justice: Power and Place
Bryan Lee Jr.
Postface
MAKING THE PUBLIC–COMMONS: An Installation and Conversations Marathon
Marcelo López-Dinardi
Biography
Marcelo López-Dinardi is an Assistant Professor of Architecture at Texas A&M University. He is interested in the scales of design, the role of the public and commons, and in architecture as an expanded media. He is the editor of Architecture from Public to Commons (Routledge, 2023) and Degrowth (ARQ, 2022). He is working on the project Cemented Dreams: Material and Ecological Stories in Puerto Rico. The project examines the role of cement, architecture, the environment, and politics in the context of colonial Puerto Rico to present day, as a fellow of the Mellon-funded initiative Bridging the Divides: Post Disaster Futures Study Group of CENTRO’s Center for Puerto Rican Studies at Hunter College, CUNY. In 2022, he was nationally elected At-Large Director for the Association of Collegiate Schools of Architecture’s (ACSA) Board of Directors for 2022–2025. He holds a Bachelor of Architecture from the Polytechnic University of Puerto Rico (cum laude) and an MS in Critical, Curatorial, and Conceptual Practices for Architecture from the GSAPP at Columbia University.
