- INTELLECTUAL AND ARTISTIC BIOGRAPHY: NOMAD OF THE IMAGINATION
- IDEAS ON THEATER: THEATER AS COLLECTIVE HISTORY AND
- FOUR KEY PRODUCTIONS: MNOUCHKINE’S "FANATICALLY THEATRICAL"
- PRACTICAL EXERCISES
Beginnings
Mnouchkine and her times
Theatrical influences and affinities
THE QUEST FOR FORM
Theoretical propositions
The creative process
Paradoxes and tensions
1789: collective creation, audience involvement, and comedic form
Richard II: mythic storytelling, hybridizing Asia, and geometrizing power
L’Indiade ou l’inde de leurs rêves: the Cixousian partnership, aesthetics of the hyper-real, and border crossers
Drums on the Dam: In the Form of an Ancient Puppet Play, Performed by Actors: theatrical self-questioning and the actor as puppet
Conclusion
Principles of theatrical creation
Mask work
A basic rehearsal vocabulary
Biography
Judith G. Miller is Professor of French and Francophone Theatre in the Department of French Literature, Thought and Culture at New York University, New York, and Affiliate Professor at New York University Abu Dhabi.
