1. Introduction: Repression, Revision and the History of Art in Nazi Vienna 2. Austrian Identity, the Anschluss and the Creation of Ostmark 3. Ushering in the Ostmark: Vienna and the Künstlerhaus: Spring 1938 to Spring 1939 4. Erasing the City: Mountains and People of Ostmark: March 3 to April 23, 1939 5. Cultural Politics, Separatism and Baldur von Schirach: Summer 1939 to Spring 1942 6. Erasing the Jewess: The Beautiful Viennese Female Portrait: June 13 to July 12, 1942 7. The Pearl Loses Its Luster: Summer 1942 to Defeat at Stalingrad 8. Erasing the Fin de Siècle: The Gustav Klimt Exhibit, February 7 to March 7 1943 9. The Fall of Vienna and the Künstlerhaus 10. Conclusion
Biography
Laura Morowitz is a professor of art history in the Department of Visual Arts at Wagner College, New York.
