1st Edition

Art, Politics, and Palace Eunuchs in Ming China, 1368–1644

By Scarlett Jang Copyright 2026
250 Pages 17 Color & 30 B/W Illustrations
by Routledge

250 Pages 17 Color & 30 B/W Illustrations
by Routledge

This is the first in-depth analysis of the place of the Ming palace eunuchs in the social history of Chinese art, examining the intricate intersections of art, politics, and palace eunuchs in the Ming dynasty. In addition to articulating the elite eunuchs’ roles as important power brokers in the political arena, this monograph offers a balanced view of Ming eunuchs, with evidence of their... Read more

Introduction  1. Political Eunuchism and Related Phenomena in the Ming  2. Talented Castrati in the Imperial City  3. Taijian and the So-called Ming Imperial Painting Academy  4. Taijian and Imperial Art Production  5. Emperors, Palace Eunuchs, and the Imperial Art Collection  6. The Ruthless Eunuch Art Plunderers  7. Two Outstanding Eunuch Art Collections in Fifteenth-Century China  8. Social Class and the Politics of Taste

Biography

Scarlett Jang is the Professor Emerita of Art History at Williams College, USA.