Introduction
Erin Silver
1 A Letter to Onyeka Igwe (notes on a Black sense of aesthetics)
Yaniya Lee
2 The end of the creative genius: women artists and critics in postwar Italy
Giovanna Zapperi
3 “And Others” – building intersectional feminist methodologies of collectivity: gender, labour, value
Lina Džuverovic
4 Under the Tightwire: an interview with Heather Evans
Sheena Hoszko
5 Cross-cultural (dis)encounters with Latin American feminist art, Mexico 1970s and Vancouver 1980s
Gabriela Aceves Sepúlveda
6 Gender and maternity in Barbara Chase-Riboud’s early sculpture
Elyse Speaks
7 Unfolding material conditions in the nylon works of Senga Nengudi
Tatiana Mellema
8 Tears, stitches & transition: feminist textiles and a birth of QueerCrip aesthetics
Amanda Cachia
9 “Not Necessarily Not There”: dark energy in Dionne Simpson and Denyse Thomasos’s paintings
Joana Joachim
10 The invisible manifesto: art, agency, and implicit resistance in the GDR's Second Public Sphere, 1974-1989
Krista Bailie
11 The dancing ghazals of Mah Laqa Bai “Chanda”
Anu Aneja
12 Women in print: feminism’s collective artist’s book spaces
Anthea Black
13 Landless: ecological relationships in Puerto Rican and Afro-Caribbean feminisms
Katie Anania
14 Feminist archiving: a critical look at methodologies of (re)membering South African Black women artists from the twentieth century
Nontobeko Ntombela
15 Excavating Lesbian Legacies: Millie Wilson and Fauve Semblant: Peter (A Young English Girl)
Genevieve Flavelle
16 “Living in the earth-deposits of our history”: archival fabulations and feminist art history
Catherine Grant
17 Women and difference in feminism and feminist Art: Korea’s Women’s Art Festival ‘99: A Parade of Ugly Sisters
Ji Eun (Camille) Sung
18 Miss Chief Eagle Testickle: Kent Monkman’s feminist decolonizing of art history
Ace Lehner
19 Intersectional transfeminism as methodology in global contemporary art history
Sascha Crasnow
20 Feminism in cyberspace
Jen Kennedy
Biography
Erin Silver is Associate Professor of Art History in the Department of Art History, Visual Art & Theory at The University of British Columbia.
