Artists in the Archive explores the agency and materiality of the archival document through a stunning collection of critical writings and original artworks. It examines the politics and philosophy behind re-using remains, historicising this artistic practice and considering the breadth of ways in which archival materials inform, inflect and influence new works.
Taking a fresh look at the relationships between insider know-how and outsider knowledge, Artists in the Archive opens a vital dialogue between a global range of artists and scholars. It seeks to trouble the distinction between artistic practice and scholarly research, offering disciplinary perspectives from experimental theatre, performance art, choreography and dance, to visual art making, archiving and curating.
1. Paul Clarke, Simon Jones, Nick Kaye and Johanna Linsley, Introduction: Inside and Outside the Archive
2. Nick Kaye, Liveness and the entanglement with things
3a Janez Janša, Monument G as a call for reconstruction.
3b Tim Etchells, Untitled (After Violent Incident)
3c Robin Deacon, Hamlet: A Careful Misreading
3d Rosemary Butcher and Stefanie Sachsenmaier, After Kaprow: Rosemary Butcher encounters 18 happenings in 6 parts
3e Zhang Huan, Six Questions.
4. Adrian Heathfield, The Ghost Time of Transformation.
5a Blast Theory, Jog Shuttler
5b Lin Hixson and Matthew Goulish, Our 18 Beginnings
5c Paul Clarke/Performance Re-enactment Society, Performing art history: non-linear, synchronous and syncopated times in Performance Re-enactment Society’s Group Show (2012)
5d Pil and Galia Kollectiv, Re-enacting the Archive: untimely meditations on the use and abuse of repetition
6. Amelia Jones, Archive, repertoire and Embodied History in Não Bustamente’s Performative Practice
7. Andrew Quick, The Patina of Performance: Documentary practice and the search for origins in The Wooster Group’s Fish Story
8a Mike Pearson, The Lesson of Anatomy
8b Fiona Templeton, Authority, Authorship and Authoring in the Theatre of Mistakes
8c Bodies in Flight, Do the Wild Thing! Redux
8d Felix Gmelin, Understanding Negative Dialectics
9. Johanna Linsley, 9 beginnings: sonic theatrical possibilities in the Live Art Archives
10. Maaike Bleeker, Resistance to Representation and the Fabrication of Truth: performance as thought-apparatus
11a Giles Bailey, Talker Catalogue
11b Terry O’Connor, Nothing Goes to Waste
11c Koh Nguang How, The Singapore Art Archive Project
11d Richard Hancock and Traci Kelly, Playing with Shadows and
Speaking in Echoes
11e Claire MacDonald, Performing with Ghosts: a talk remembered
12. Simon Jones, The Future Perfect of the Archive: re-thinking performance in the age of third nature.