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Ashgate Interdisciplinary Studies in Opera: Ashgate Interdisciplinary Studies in Opera


About the Series

The Ashgate Interdisciplinary Studies in Opera series provides a centralized and prominent forum for the presentation of cutting-edge scholarship that draws on numerous disciplinary approaches to a wide range of subjects associated with the creation, performance, and reception of opera (and related genres) in various historical and social contexts. There is great need for a broader approach to scholarship about opera. In recent years, the course of study has developed significantly, going beyond traditional musicological approaches to reflect new perspectives from literary criticism and comparative literature, cultural history, philosophy, art history, theatre history, gender studies, film studies, political science, philology, psycho-analysis, and medicine. The new brands of scholarship have allowed a more comprehensive interrogation of the complex nexus of means of artistic expression operative in opera, one that has meaningfully challenged prevalent historicist and formalist musical approaches. The Ashgate Interdisciplinary Studies in Opera series continues to move this important trend forward by including essay collections and monographs that reflect the ever-increasing interest in opera in non-musical contexts. Books in the series are linked by their emphasis on the study of a single genre - opera - yet are distinguished by their individualized and novel approaches by scholars from various disciplines/fields of inquiry. The remit of the series welcomes studies of seventeenth century to contemporary opera from all geographical locations, including non-Western topics.

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Masque and Opera in England, 1656-1688

Masque and Opera in England, 1656-1688

1st Edition

By Andrew R. Walkling
February 05, 2019

Masque and Opera in England, 1656–1688 presents a comprehensive study of the development of court masque and through-composed opera in England from the mid-1650s to the Revolution of 1688–89. In seeking to address the problem of generic categorization within a highly fragmentary corpus for which a ...

Grand Opera Outside Paris Opera on the Move in Nineteenth-Century Europe

Grand Opera Outside Paris: Opera on the Move in Nineteenth-Century Europe

1st Edition

Edited By Jens Hesselager
December 18, 2017

Nineteenth-century French grand opera was a musical and cultural phenomenon with an important and widespread transnational presence in Europe. Primary attention in the major studies of the genre has so far been on the Parisian context for which the majority of the works were originally written. In ...

Postopera: Reinventing the Voice-Body

Postopera: Reinventing the Voice-Body

1st Edition

By Jelena Novak
July 27, 2017

Both in opera studies and in most operatic works, the singing body is often taken for granted. In Postopera: Reinventing the Voice-Body, Jelena Novak reintroduces an awareness of the physicality of the singing body to opera studies. Arguing that the voice-body relationship itself is a producer of ...

Grétry's Operas and the French Public From the Old Regime to the Restoration

Grétry's Operas and the French Public: From the Old Regime to the Restoration

1st Edition

By R.J. Arnold
December 07, 2015

Why, in the dying days of the Napoleonic Empire, did half of Paris turn out for the funeral of a composer? The death of André Ernest Modeste Grétry in 1813 was one of the sensations of the age, setting off months of tear-stained commemorations, reminiscences and revivals of his work. To understand ...

Opera, Theatrical Culture and Society in Late Eighteenth-Century Naples

Opera, Theatrical Culture and Society in Late Eighteenth-Century Naples

1st Edition

By Anthony R. DelDonna
November 17, 2016

The operatic culture of late eighteenth-century Naples represents the fullest expression of a matrix of creators, practitioners, theorists, patrons, and entrepreneurs linking aristocratic, public and religious spheres of contemporary society. The considerable resonance of 'Neapolitan' opera in ...

Modernism and the Cult of Mountains: Music, Opera, Cinema

Modernism and the Cult of Mountains: Music, Opera, Cinema

1st Edition

By Christopher Morris
November 16, 2016

Adopting and transforming the Romantic fascination with mountains, modernism in the German-speaking lands claimed the Alps as a space both of resistance and of escape. This new 'cult of mountains' reacted to the symptoms and alienating forces associated with modern culture, defining and reinforcing...

Musical Theatre, Realism and Entertainment

Musical Theatre, Realism and Entertainment

1st Edition

By Millie Taylor
November 16, 2016

What is it about musical theatre that audiences find entertaining? What are the features that lead to its ability to stimulate emotional attachment, to move and to give pleasure? Beginning from the passion musical theatre performances arouse and their ubiquity in London's West End and on Broadway ...

Opera as Soundtrack

Opera as Soundtrack

1st Edition

By Jeongwon Joe
November 11, 2016

Filmmakers' fascination with opera dates back to the silent era but it was not until the late 1980s that critical enquiries into the intersection of opera and cinema began to emerge. Jeongwon Joe focusses primarily on the role of opera as soundtrack by exploring the distinct effects opera produces ...

Melodramatic Voices: Understanding Music Drama

Melodramatic Voices: Understanding Music Drama

1st Edition

Edited By Sarah Hibberd
October 03, 2016

The genre of mélodrame à grand spectacle that emerged in the boulevard theatres of Paris in the 1790s - and which was quickly exported abroad - expressed the moral struggle between good and evil through a drama of heightened emotions. Physical gesture, mise en scène and music were as important in ...

Opera Indigene: Re/presenting First Nations and Indigenous Cultures

Opera Indigene: Re/presenting First Nations and Indigenous Cultures

1st Edition

Edited By Pamela Karantonis, Dylan Robinson
October 03, 2016

The representation of non-Western cultures in opera has long been a focus of critical inquiry. Within this field, the diverse relationships between opera and First Nations and Indigenous cultures, however, have received far less attention. Opera Indigene takes this subject as its focus, addressing ...

Musicality in Theatre Music as Model, Method and Metaphor in Theatre-Making

Musicality in Theatre: Music as Model, Method and Metaphor in Theatre-Making

1st Edition

By David Roesner
September 09, 2016

As the complicated relationship between music and theatre has evolved and changed in the modern and postmodern periods, music has continued to be immensely influential in key developments of theatrical practices. In this study of musicality in the theatre, David Roesner offers a revised view of the...

Readying Cavalli's Operas for the Stage Manuscript, Edition, Production

Readying Cavalli's Operas for the Stage: Manuscript, Edition, Production

1st Edition

Edited By Ellen Rosand
September 09, 2016

After more than three centuries of silence, the voice of Francesco Cavalli is being heard loud and clear on the operatic stages of the world. The coincidence of productions at La Scala (Milan) and Covent Garden (London) in the same month (September 2008) of two different operas signals a new stage ...

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