This interdisciplinary study examines the role interpersonal and place attachment bonds play in crafting a national identity in American literature. Although there have been numerous ecocritical studies of and psychoanalytic approaches to American literature, this study seeks to integrate the language of empirical science and the physical realities of place, while also investigating non-human agency and that which exists beyond the material realm. Murphy considers how writers in the early American Republic constructed modernity by restructuring representations of interpersonal and place attachments, which are subsequently reimagined, reconfigured, and sometimes even rejected by writers in the long nineteenth century. Within each narrative American perceptions of otherness are pathologized as a result of insecure human-to-human and human-to-place attachments, resulting in a restructuring of antiquated notions of difference. Throughout, Murphy argues that in order to understand fully the contextually varied framework of human bonding, it is important to emphasizeAmerica’s "attachment" to various constructions of otherness. Historically, people of color, women, ethnic groups, and lower class citizens have been relegated—socially, politically, and culturally—to a place of subordination. Refugees escaping the French and Haitian Revolutions to American cities encouraged writers to transform social, cultural, and political attachments in ways that the American Revolution did not. The United States has always been part of an extended global network that provides fertile ground from which to imagine a future American identity; this bookthus gestures toward future readers, educators, and scholars who seek to explore new fields and new approaches to understand the underlying human motivations that continually inspire the American imagination.
Chapter 1. Dispossession, Diseased Attachments, and the Transmogrifying Self in Charles Brockden Brown’s Arthur Mervyn
Chapter 2. Fugitivity and Displaced Bodies in Leonora Sansay’s Secret History; or, the Horrors of Saint Domingo
Chapter 3. George Lippard’s Quaker City; or, The Monks of Monk Hall and the Transformational Place of Mid-Nineteenth Century Urban Fiction
Chapter 4. Atavistic Attachments, Anti-Landscapes, and the Precarity of Place in Stephen Crane’s Maggie: A Girl of the Streets and Frank Norris’s McTeague
Chapter 5. African-American Place Attachments and the Chains of Modernity in Paul Laurence Dunbar’s Sport of the Gods
This series is our home for cutting-edge, upper-level scholarly studies and edited collections. Taking an interdisciplinary approach to literary studies, it engages with topics such as philosophy, science, race, gender, film, music, and ecology. Titles are characterized by dynamic interventions into established subjects and innovative studies on emerging topics.